1,721,049 research outputs found
2010-2011 Guest Pianists Weekend: Celebrating Music for the Left-Hand Alone - Gary Graffman
Full text linkGary Graffman Master Class (January 16, 2011) - Progra
2010-2011 Master Class - Gary Graffman (Piano)
Full text linkCelebrating Music for the Left-Hand Alone: Gary Graffman (January 15, 2011) - Programhttps://spiral.lynn.edu/conservatory_masterclasses/1080/thumbnail.jp
Henri Temianka Correspondence; (graffman)
Full text linkThis collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/3529/thumbnail.jp
Henri Temianka Correspondence; (graffman)
Full text linkThis collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/3532/thumbnail.jp
Gary Graffman, Piano, and Lark Quartet
No full textNovember 11th, 2011
Gary Graffman, piano and Lark Quartet performed works of Scriabin for piano solo; Mendelssohn: Four Pieces for String Quartet, Op. 81; Jennifer Higdon: Piano Quintet, “Scenes From the Poet’s Dreams”.
Photo credit: Christian Steinerhttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1339/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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