1,720,998 research outputs found
A focus in the jungle of medias: Hexágono Magazzine (1971-1975)
La revista Hexágono fue editada por Edgardo Antonio Vigo en la ciudad de La Plata, Argentina, entre 1971 y 1975. En este trabajo analizamos el recorrido de este proyecto editorial que pretendía -en un principio- difundir la obra de artistas ligados a distintos campos del arte experimental, interviniendo en la discusión sobre el sentido de la comunicación en plena época de expansión de los medios masivos, y ver cómo adquiere finalmente un rol de lucha política e interés por participar en una disputa “ideológica” mediante sus recursos visuales y estéticos.The HexágonoMagazine was edited by Edgardo Antonio Vigo in the city of La Plata, Argentina between 1971 and 1975. In this work we analyse the itinerary of this edition project, which purpose wasat first, to spread the work of artists linked to different fields of experimental art, intervening in the discussion about the sense of communication at the height of the era of mass media expansion, and seehow it finally takes a role inpolitical struggles and the interest of participating in an “ideological” dispute by means of visual and aesthetic.Fil: Gradin, Carlos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filología y Literatura Hispánica "Dr. Amado Alonso"; Argentin
A focus in the jungle of medias: Hexágono Magazzine (1971-1975)
La revista Hexágono fue editada por Edgardo Antonio Vigo en la ciudad de La Plata, Argentina, entre 1971 y 1975. En este trabajo analizamos el recorrido de este proyecto editorial que pretendía -en un principio- difundir la obra de artistas ligados a distintos campos del arte experimental, interviniendo en la discusión sobre el sentido de la comunicación en plena época de expansión de los medios masivos, y ver cómo adquiere finalmente un rol de lucha política e interés por participar en una disputa “ideológica” mediante sus recursos visuales y estéticos.The HexágonoMagazine was edited by Edgardo Antonio Vigo in the city of La Plata, Argentina between 1971 and 1975. In this work we analyse the itinerary of this edition project, which purpose wasat first, to spread the work of artists linked to different fields of experimental art, intervening in the discussion about the sense of communication at the height of the era of mass media expansion, and seehow it finally takes a role inpolitical struggles and the interest of participating in an “ideological” dispute by means of visual and aesthetic.Fil: Gradin, Carlos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filología y Literatura Hispánica "Dr. Amado Alonso"; Argentin
Primeros niveles culturales en el Area Río Pinturas (provincia de Santa Cruz, Argentina) Carlos Gradin, Carlos Aschero y Ana María Aguerre
En este trabajo deseamos bosquejar las características de las más antiguas ocupaciones humanas registradas arqueológicamente en el Area Río Pinturas, cuya secuencia cultural dispone de un adecuado sustento cronológico en dataciones radiocarbónicas (Gradin et al. 1979, 1984-85). A ese efecto hemos restringido nuestro enfoque regional a la presentación de los niveles culturales Río Pinturas I y II situados entre 9400 y 3300 años AP, habiéndose puesto mayor énfasis en la presentación del nivel Río Pinturas I, considerando que sus datos interesan particularmente al panorama de las poblaciones tempranas del extremo sur de América
Primeros niveles culturales en el Area Río Pinturas (provincia de Santa Cruz, Argentina) Carlos Gradin, Carlos Aschero y Ana María Aguerre
En este trabajo deseamos bosquejar las características de las más antiguas ocupaciones humanas registradas arqueológicamente en el Area Río Pinturas, cuya secuencia cultural dispone de un adecuado sustento cronológico en dataciones radiocarbónicas (Gradin et al. 1979, 1984-85). A ese efecto hemos restringido nuestro enfoque regional a la presentación de los niveles culturales Río Pinturas I y II situados entre 9400 y 3300 años AP, habiéndose puesto mayor énfasis en la presentación del nivel Río Pinturas I, considerando que sus datos interesan particularmente al panorama de las poblaciones tempranas del extremo sur de América
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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