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The tour of the French traveller M. de La Boullaye Le Gouz in Ireland, A.D. 1644.
No full textA translation of portions of "Les voyages et observations du sieur de la Boullaye Le Gouz ..." Paris, 1653.Mode of access: Internet
Le Gouz
No full textAncien possesseur : Le Gouz. Ancien possesseurAppartient à l’ensemble documentaire : 3M000Appartient à l’ensemble documentaire : 3M01
La Boulaie le Gouz, gentilhomme angevin et voyageur universel
No full textChauviré Roger. La Boulaie le Gouz, gentilhomme angevin et voyageur universel. In: Bulletin de l'Association Guillaume Budé, n°2, juin 1955. pp. 66-74
Les Voyages et Observations du Sieur de la Boullaye-Le-Gouz Gentil-homme Angevin, où sont d' ecrites les Religions, Gouvernemens, & situations des Estats & Royaumes d' Italie, Grece, Natolie, Syrie, Palestine, Karamenie, Kaldée, Assyrie, grand Mogol, Bija
No full textPreface.Appendix.Dedication: Cardinal CapponiContent description: Side notesPagination: PP13+540P+10PVolumes: 1Text Genre:Pros
Vente aux enchères publiques sur licitation, par suite d'indivision... : bibliothèque Le Gouz de Saint-Seine... / [expert] A. Claudin
No full text[Vente. Livres. 1902-11-17. Dijon][Collection. Livres. Le Gouz de Saint-Seine. 1902]Appartient à l’ensemble documentaire : VenteEST2Contient une table des matièresAvec mode text
Les Voyages et observations du sieur de Boulaye le Gouz Gentil-Homme Augevin, où sont décrites les Religions, Governemens, (et) situations des Estats (et) Royaume d' Italie, Grèce, Natolie, Syrie, Perse, Palestine, Karamenie, Kaldée, Assyrie, grand Mogol,
No full textPreface.Dedication:Content description: IndexIllustration: (Maps ,portraits ,varia ,)Pagination: PP14+558P+10PPVolumes: 1Text Genre:ProseIllustration: (χάρτες ,πορτραίτα ,άλλα θέματα ,
French Encounters Of François De La Boullaye-Le Gouz In India: Hindu Mythological Illustrations and Narratives
No full textSeventeenth-century French travellers’ records ignited the curiosity of the Occidental world, especially the French imagination, because of their commercial and religious understanding of the Orient, mainly India. Among their authors, the most unresearched traveller is François de la Boullaye-le Gouz, who wrote a fabulous account about his voyage to India. His understanding of the Hindu religion ideologies and pictorial representations require analysis based on this hitherto unused manuscript. This article examines the distorted and under-researched facts about his biography, followed by scrutinizing Gouz’s perceptions of Hindu gods and goddesses and their significance in Hindu mythology. These observations, interpretations and misrepresentations of Hindu religious illustrations through Gouz’s perception are analyzed by examining printed French untranslated memoirs (printed in 1653) in comparison with Gouz’s abridged manuscript (codex). Varied approaches of scholars such as Subrahmanyam, Sapra, Beasley, Marsh, Dew and Teltscher have criticized Said’s Orientalism. Our research contributes fresh insight by undertaking an in-depth comparative study of this Oriental knowledge (Gouz’ Hindu mythology observations) with Oriental records, his narratives and codex. This ascertains the credibility of knowledge that formulated French’s Oriental image of India in early-modern Europe
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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