5,796 research outputs found
Author, Philosopher Alexandra Stoddard to Speak March 2 at Williams Library
No full textOXFORD, Miss. – Contemporary philosopher, author, interior designer and speaker Alexandra Stoddard gives an inspirational lecture and reading March 2 at the University of Mississippi
Stages for the More Sustainable Farm
No full textCurrently, agricultural farm units are faced with a double and most times contradictory challenge, in order to be successful: on the one hand the invested capital has to be profitable and the economic performance has to be maximised. On the other hand, given the socio-environmental situation, it is necessary to preserve and to protect the environment and natural resources. Given the potential conflict of the two aims, since the satisfaction of one implies the underperformance of the other (and vice versa), the question then is: which is the solution to choose? We intend, in this work, to formulate a farm plan with the purpose of reconciling the criteria of environmental sustainability with that of economic competitiveness. For this achievement we proceed to the comparative study of sustainability of different groups of farms identified in the study area (first evaluation cycle) through MESMIS (“Marco para la Evaluación de Sistemas de Manejo de Recursos Naturales Mediante Indicadores de Sustentabilidad” - Framework for Evaluation of Natural-Resource Systems Handling through Sustainability Indicators) methodology, that allowed to select the more sustainable group of farms. Based on the found potentialities and weakness on these production systems, we stepped to the planning of a production unit of bovine meat, which obeys simultaneously to economic and environmental objectives, using Multicriteria Decision. We finished the work with the sustainability evaluation between groups of farms identified previously and the planned farms (second evaluation cycle), based, again, in the MESMIS methodology, to confirm (or not) the greatest sustainability of the last ones. Analyses of the results allow us to confirm the greatest relative sustainability of the planned farm, for the diverse traced scenarios.Decision taking, planning, sustainability, Environmental Economics and Policy, Farm Management,
The socio-economic impact of government's urban renewal initiatives: The case of Alexandra Township
No full textThe purpose of this research is to investigate the impact of the implementation of the Alexandra Renewal Programme (ARP) on the lives of residents in the Johannesburg township of Alexandra, in South Africa. The urban renewal project was a government initiative in collaboration with the private sector and community-based organisations. The project aimed to improve the physical, social and economic environments of Alexandra, a densely-populated township whose history includes political resistance, poverty, high levels of crime and unemployment, and yet is located adjacent to South Africa's successful commercial capital, Sandton. The impact of urban renewal programmes such as the ARP has not been evaluated along every dimension, nor recently with concerns raised about the pace of government efforts to drive the change required. Hence, the objective of this study was to assess the impact of the Alexandra urban renewal programme on its residents. Alexandra typifies the socio-economic marginalisation of black urban neighbourhoods during the apartheid era. Nearly 500 000 people live in approximately 100 000 households in formal and informal housing; unemployment is estimated at 60%, and most household incomes fall below the extreme poverty line of less than USD1 per person per day. Hence the ARP was designed to boost job creation, promote a healthier environment, through provision of affordable and sustainable services, such as decent housing, roads, water supply, sanitation and other infrastructure, and to reduce crime. The case study was conducted using qualitative research techniques. Focus groups were conducted with 32 residents from formal and informal settlements in the township. Research data was analysed using thematic content analysis. As a former resident of Alexandra with a long family history in the township, the researcher could provide a grounded and corroborative insight into the phenomenon under study. The research findings indicate that the implementation of the ARP programme has been generally consistent with the designed outcomes. The respondents indicated that the programme had some positive impact on improved access to government facilities and services, and on some housing and infrastructure projects. However, the participants also expressed frustration, and indicated that they had not gained significant benefits, especially on job creation and business opportunities. In addition, the residents believed that more could be done on the provision of basic services such as housing, water and sanitation. The effectiveness of government officials responsible for the ARP was also a concern. The study recommends that the three spheres of government (national, provincial and local) should collaborate more to develop relevant policies which drive urgency and effectiveness into the implementation of the urban renewal programme (URP) in Alexandra, and in the Gauteng province in general. The findings of this study contribute to the broader review of URPs in South Africa, and can assist government's developmental structures in evaluating the impact of these and future programmes
Closed systems : Alexandra Luke, Hortense Gordon and the Canadian art history canon
No full textThe marginalization of women's art within the Canadian art history canon articulates the dichotomy which exists between the practice of making art in a Canadian context and the selective recording of that practice within written history. Canadian painters Alexandra Luke and Hortense Gordon made significant contributions to the development and acceptance of abstract art in Canada, not simply through their own art practice, but also as teachers, lecturers and exhibition organizers, especially in Ontario. In spite of this contribution and the local, national and international reputations that both women enjoyed, their work does not appear in a position of significance in Canadian art history texts. The origin and meaning of this marginalization is based on the social construction of gender with the standard canon privileging male production. Feminist intervention in this system has failed to fundamentally improve or change the structure which is power-based and difficult to destabilize
Exhibiting Fashion Symposium: Dr. Alexandra Palmer “Fashion Exhibitions: The Good, the Bad, and the Pointless”
No full textThe Museum at FIT presented Exhibiting Fashion, its twenty-first academic symposium on Friday, March 8, 2019. This symposium explored the history of fashion curating, the different ways fashion is displayed in museum settings, and how national and regional identities influence fashion exhibitions. The symposium was organized in conjunction with Exhibitionism: 50 Years of The Museum at FIT, which commemorated the rich history of the museum, the site of more than 200 exhibitions since the 1970s.Dr. Alexandra Palmer is the Nora E. Vaughan Senior Curator at the Royal Ontario Museum. She has curated numerous exhibitions including Christian Dior, and she is the author of the book Christian Dior: History and Modernity, 1947–1957
Reescrita de si pelo outro: identidade portuguesa e paródia em Deus-dará, de Alexandra Lucas Coelho / Rewriting oneself through the other: Portuguese identity and parody in Deus-dará, by Alexandra Lucas Coelho
No full textResumo: O artigo aponta o modo como o romance Deus-dará de Alexandra Lucas Coelho, escritora portuguesa contemporânea, pode ser compreendido como um exercício de renegociação da identidade portuguesa em relação a questões referentes à colonização no Brasil. Mais do que isso, problematiza-se como, por meio da estratégia da paródia no texto ficcional, a autora consegue expressar uma necessidade e possibilidade de se redefinir pelo outro em um movimento contrário ao do discurso colonial – o que também ocorre em suas entrevistas e em suas narrativas de viagens, tais como em Vai, Brasil e Cinco Voltas na Bahia e um beijo para Caetano Veloso. Palavras-chave: identidade portuguesa; paródia; pós-modernismo; escrita portuguesa contemporânea; Alexandra Lucas Coelho. Abstract: The article observes how the novel Deus-dará, by Alexandra Lucas Coelho, a Portuguese contemporary writer consists in an exercise of renegotiation for the Portuguese identity in relation to issues that refer to the colonization process in Brazil. Moreover, this text seeks to show how parody as a fictional literary strategy helps the author in expressing a necessity and a possibility of redefining oneself through the other, in a direction that goes in the opposite way of the colonial speech. This necessity and this possibility also appear in the author’s interviews and travel books, such as Vai, Brasil and Cinco Voltas na Bahia e um beijo para Caetano Veloso, which will also be mentioned in this article.Keywords: Portuguese identity; parody; post-modernism; Portuguese contemporary writing; Alexandra Lucas Coelho
sj-xlsx-1-jfm-10.1177_1098612X211043820 – Supplemental material for Effect of a provincial feline onychectomy ban on cat intake and euthanasia in a British Columbia animal shelter system
No full textSupplemental material, sj-xlsx-1-jfm-10.1177_1098612X211043820 for Effect of a provincial feline onychectomy ban on cat intake and euthanasia in a British Columbia animal shelter system by Alexandre Ellis, Karen van Haaften, Alexandra Protopopova and Emilia Gordon in Journal of Feline Medicine and Surgery</p
Author Rights Workshop
No full textLearning material associated with Alexandra Kohn's presentation as a part of the ABC Copyright 2020 Fall Speaker Series, hosted by the University of Alberta Copyright Office
Orest and Alexandra Dournovo with Nicholas de Grandmaison.
No full textBlack-and-white photograph of Orest and Alexandra Dournovo posing with Nicholas de Grandmaison. Alexandra Dournovo is sitting in a chair with a small child sitting on the chair arm. A young boy is standing beside them, leaning on the other chair arm. De Grandmaison is standing behind the son and beside Orest Dournovo who is leaning on the back of his wife's chair. They are outside on a covered deck of a house. There is a rocking chair and a window behind them. Title supplied by cataloguer
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