1,727,303 research outputs found
Gordon A. Marshall
No full textWooden hut with a truck parked outside, situated amongst trees and bushland.
Camp area of West Point Coastal Artillery Battery.Marshall, G. A.Date:194
Gordon A. Marshall
No full textMan holding what appears to be a dead crocodile or possibly a crocodile skin.Marshall, G. A.Date:194
Gordon A. Marshall
No full textCouple of tin sheds.
Cook house at West Point (Point Charles) Coastal Artillery Battery.Marshall, G. A.Date:194
Haaland, Gordon A., May 2, 2014 [Interview]
No full textFormer Gettysburg College president Gordon A. Haaland was interviewed on May 2, 2014, by Michael Birkner about being an administrator at the Universities of Maine and New Hampshire; his relationship with New Hampshire governor John Sununu; becoming president of Gettysburg College; relationships with faculty and staff; and memorable incidents of his presidency.Sununu, John; Anderson, Charles E.; Ramsey, Julie L.; Cowan, David J.; Pittman, Thane S.; Riggs, Janet Morgan; Flynn, Suzanne; VanArsdale, William P.; Camalier, Charles; Tipson, L. Baird; Williams, Frank B.; Gustafson, Delwin K.; Olinger, GeorgeCharles E. Glassick Years; Gordon A. Haaland Year
Haaland, Gordon A., September 19, 2014 [Interview]
No full textFormer Gettysburg College president Gordon A. Haaland was interviewed on September 19, 2014, by Michael Birkner about his years as president of Gettysburg College. Topics include assembling a support staff; investing in technology; developing the Center for Public Service and Gilder-Lehrman Prize; and issues with donors, fraternities, alumni, and real estate.Anderson, Charles E.; Williams, Frank B.; VanArsdale, William P.; Tipson, L. Baird; Gutting, Mary D.; Glassick, Charles E.; Ramsey, Julie L.; Nordvall, Robert C.; Gustafson, Delwin K.; Sweezey, Gail; D'Agostino, Robert; Aebersold, Dennis; Wolfe, Charles R.; Smoke, Kenneth L.; Smoke, Lillian H.; Stitt, Peter; Mattson, Karl J.; Flynn, Suzanne; Gilder, Richard; Lehrman, LewisCharles E. Glassick Years; Gordon A. Haaland Year
Letter Written by Gordon A. Van Eck to the Bryant College Service Club Dated January 12, 1943
Full text link[Transcription begins] HEADQUARTERS HARBOR DEFENSES OF NARRAGANSETT BAY Fort Adams, R. I.
January 12, 1943
The Bryant Service Club Bryant College Providence, R. I.
Dear Friends:
Thanks once again for your thoughtfulness. Each and every time the mail brings something from Bryant I spend the remainder of the day reminiscing. While not very far from Bryant in terms of miles, other things do make it seem a long long ways off. Perhaps, in a year or so, we can all have a bang-up reunion. That would be the best way I know to start off our lives again, don’t you think so too?
Thanks again for your practical and timely gift of cigarettes.
Yours, for victory!
Gordon A. Van Eck Gordon A. Van Eck Corporal, C. A. C. [Transcription ends
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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