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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    The Fight for Freedom of Two Oppressed Groups: Indian Nationalism and African American Liberation

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    This study examines the activities of two revolutionaries, one Lala Har Dayal (1884-1939) who established in the U.S. the Ghadar Party as an Indian revolutionary party against the British rule in India and the other was Huey P. Newton (1942-1989) who was a founder of the Black Panther Party which violently agitated against the longstanding chokehold of the “White” rule over the African American people. Juxtaposing the two different time periods and two different continents, which are incompatible phenomena give further understanding of what caused both such movements, regarded as aggressive resistance by their peoples to their oppressive rulers, to be effectively incapable of bringing even a modicum of freedom for their peoples from chokeholds of their respective oppressive rulers. Hardayal, came to San Francisco in 1911 to work in Berkley as a lecturer in Indian Philosophy and Sanskrit. At this time, he became a cofounder of Ghadar Party which became an Indian nationalist party. The party instructed on bomb-making and the use of explosives to the Indian nationalists in in India through publications in a newspaper, edited by Hardayal. In April 1914, upon pressure from the British government, the American Government arrested him for radical publications. But Hardayal was freed on a bail and he escaped to Europe. Later on, Har Dayal returned to Oxford and received his Ph.D. degree in 1930. Huye P. Newton (1942-1989) was born on 1942 in Monroe, Louisiana. As a child, he moved to Oakland, California, with his family. In the mid1960s, he met Bobby Seal. Both of them created the Black Panther Party for Self Defense in 1966. They created the Ten-Point Program, which demanded better housing, employment, and education. They also wanted to stop police brutality against the public. They were combative in their actions. In 1967 Newton was arrested for supposedly killing a Police officer in Oakland. In the 1970s Black Panther Party began to disintegrate because of the disputes among the members. In 1974, Newton faced more criminal charges, and he fled to Cuba. He returned to the States in 1977 and went back to UC Santa Cruz and received his Ph.D. in Social Philosophy in 1980. In August 1989, he was shot on the street of Oakland and died. The two revolutionaries were highly educated individuals and widely traveled across the world to nurture their own views about finding a means to find relief for their own people against oppressions from the ruling power. They both advocated adoption of aggressive paths to achieve freedom for their people from the hold of the oppressive ruler. Recapturing together the ultimate fates of failures met by the two aggressive revolutionary movements, led by Har Dayal and Huey P. Newton, uncover an important fact that both the rulers have European cultural origin. This European cultural origin helped these two white groups assume a culturally superior position. Both movements for freedom, lasting only briefly without bringing any significant success to its ultimate mission, developed from a longstanding popular passive movement. The aims of Ghadar Party and Black Panther Party, although differing from each other in many ways, had one very significant common link that they were fighting against the oppressors with European cultural origin The general public from both groups rejected the violent movements and adopt a passive movement against their oppressors as a way to overcome their own conceived cultural inferiority status

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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