263,544 research outputs found
Lincoln Inn, Gooding, Idaho, between 1909 and 1918
No full textCaption on image: 815 - "An Inn Worth While" The Lincoln, Gooding, Idaho. Photo by M. B. Martin
Handwritten on verso: Dear Emma, Arrived last night at one o'clock. Stayed in this hotel overnight. Just had my breakfast now as soon as I mail this will hunt for my cousins. Beautiful weather will write you to morrow - love Your Husband H. E. M.The Lincoln Inn was opened in Gooding, Idaho, in 1909. It was built by F. R. Gooding, who also founded the town of Gooding. The Inn had a restaurant which served fancy French food on china. The Gooding Inn burned down in 1960. Prior to founding the town F. R. Gooding served as Idaho Governor and as a state senator.Scanned from an original postcard using a ScanMaker 6800 at 100-175 dpi in JPEG format at compression rate 3 and resized to 768x600 ppi. 2007
Esperimento e realismo scientifico. Saggio su Gavid Gooding
No full textPubblicato con contributo del Consiglio Nazionale delle Ricerche. Fra gli autori appartenenti al cosiddetto “nuovo sperimentalismo”, Gooding è quello che con maggiore consapevolezza filosofica ha cercato di superare le opposte unilateralità della received view e del sociological turn o, in altre parole, tentato di conciliare, nell’interpretazione dell’impresa scientifica, il momento cognitivo e quello sociale, il riferimento alla natura reso possibile dalla pratica sperimentale con la dimensione necessariamente intersoggettiva dell’esperimento stesso. Gooding ha fornito importanti contributi per una teoria realistica dell’esperimento, elaborando un “realismo asintotico” che presenta affinità importanti con la tradizione operazionistica. Esaminando criticamente l’epistemologia di David Gooding, l’autore ne pone tuttavia anche in luce i limiti fondamentali (anzitutto l’opzione naturalistica di fondo) e alcune ambiguità e incertezze, e sviluppa al tempo stesso alcuni aspetti del proprio operazionismo tecnico, mostrando come sia possibile connettere in modo intrinseco e contemporaneamente distinguere senza contraddizioni osservazione e teoria, natura e cultura, scienza e tecnica
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The Durango South Project: Archaeological Salvage of Two Basketmaker III Sites in the Durango District
No full textList of Figures/List of Tables/Preface and Acknowledgments/I. The Sites in Context - John D. Gooding/The Setting/Previous Archaeological Investigations/Definition of the Durango District/II. The Site Descriptions - John D. Gooding and O D Hand/Excavation Procedure/5LP110, Feature 1 (The Pithouse) and Feature 2 (The Surface Areas)/5LP111, Feature 1 (A Small Pithouse) and Feature 2 (A Pithouse-Kiva)/Burials at 5LP111/III. Material Culture/Chipped Stone Tools - Barbara Love-dePeyer/Ground Stone Tools - O D Hand/Ceramics of Durango South - Priscilla B. Ellwood/Perishables - Signa Larralde/Modification Attributes of Bone Tools from Durango South - John D. Gooding/IV. Economy and Subsistence/Fauna - Elaine Anderson/Pollen Analysis, 5LP110 and 5LP111, Durango, Colorado - Susan K. Short/Paleo-Ethnobotanical Remains from 5LP110 and 5LP111 - Lorraine Dobra/V. Human Skeletal Remains - Edward J. Rowen/VI. Summary and Conclusions/Appendix/List of Abbreviations/References CitedThis title from the Anthropological Papers of the University of Arizona collection is made available by the University of Arizona Press and University of Arizona Libraries. If you have questions about this title, please contact the UA Press at http://www.uapress.arizona.edu/
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
I Don’t Wanna Say the Wrong Thing!: How to Reconcile with Race in the Classroom
No full textDiscussing topics centering around race can often be awkward and uncomfortable—but it doesn’t always have to be! Uncover and discover how we are closer to racial reconciliation than we think by learning the three key steps we can take inside of our classrooms. This session will persuade attendees to reflect upon their campus practices and consider additional ways in which they can provide welcoming and culturally relevant institutionalized experiences for both their current and future students. Frederick Gooding Jr. is an associate history professor and the Dr. Ronald E. Moore Endowed Professor of the Humanities at Texas Christian University in Fort Worth, Texas. Featured in national publications such as the New York Times and USA Today, Gooding critically analyzes images within mainstream culture and engages audiences on racial patterns hidden in plain sight. “Dr. G,” as he is affectionately known, has also provided social commentary on CBS, NBC, and Fox News networks, and served as inaugural Chair of TCU’s Race and Reconciliation Initiative
Response to Robert Gooding-Williams' review of <i>Dreaming Blackness: Black Nationalism and African American Public Opinion</i>
No full textIn Dreaming Blackness, I had two major goals. First, I hoped to elucidate how changes in the American racial landscape have impacted African American support for black nationalism. To this end, I used a mixed methodological approach that included both statistical and qualitative analysis and allowed me to make claims based on a national cross section of African Americans and on more intimate discussions in smaller groups. Second, I wanted to ground my arguments in a robust discussion of African American political thought. This would ensure that my hypotheses and findings were resonant with a longitudinal understanding of how black nationalist ideology is characterized. Robert Gooding-Williams, with some caveats, suggests that I have accomplished these goals. I now address his two areas of concern related to evolving definitions of black nationalism and possible alternative interpretations, and I conclude by addressing our differing impressions of the future viability of this ideological option.</jats:p
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
compiled by Anne Walters, Patrick Carmody, Emma Gooding and Tony Bowland
No full textThis aerial shooting training program was developed to specifically train in the humane destruction of animals using firearms from helicopters. This technique may be used in pest animal removal operations, disease outbreaks, and/or for veterinary or scientific purposes. Individuals who wish to achieve national accreditation must undergo a rigorous training course encompassing all aspects of the safe use of firearms, relevant legislation, humane destruction of animals, helicopter safety and aerial shooting techniques and principles.Made available by the Northern Territory Library via the Publications (Legal Deposit) Act 2004 (NT).Part I: Course introduction and requirements -- Part II: Introduction to pest animal removal programs -- Part III: Relevant Northern Territory Legislation and Policies -- Part IV: Helicopter safety -- Part V: Behavioural characteristics of pest animals -- Part VI: Record keeping -- Appendix I: Revision of firearms safety and maintenance.Date:2009-01Also titled: Certificate II in conservation and land managemen
Modernity, Ego, Earth: Notes on Robert Gooding-Williams\u27s \u3cem\u3eZarathustra\u27s Dionysian Modernism\u3c/em\u3e
No full textZarathustra\u27s Dionysian Modernism. This is indeed a title that raises questions, a fragwürdig title, as Heidegger would say. For how can modernism be inflected by these two ancient, not to say archaic, figures of myth and legend, Zarathustra and Dionysus? And how can Nietzsche, cited so often as a paradigmatic postmodern thinker, aim at a new variety of modernism in the book he thought of as his central contribution? Robert Gooding-Williams\u27s book is a dazzling achievement, because it forces us to rethink a host of issues and questions that lie behind these questions. After some prefatory thoughts about reading and deconstruction, I will focus on: (1) some questions concerning Nietzsche and modernity that frame Gooding-Williams\u27s book; (2) reading the drama of Zarathustra, with special reference to the question of the self and the need to transcend the limits of the individuated ego; and (3) the status of body and earth in Gooding-Williams\u27s account of Zarathustra\u27s Dionysianism
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