1,720,953 research outputs found
Estrellas, medios y relatos de f\ufatbol en M\ue9xico (1941-2001)
No full textABSTRACTESTRELLAS, MEDIOS Y RELATOS DE F
aTBOL EN M\uc9XICO (1941-2001) ByAlejandro Gonz\ue1lez Landeros This doctoral dissertation explores how Mexican soccer narratives have changed throughout the 20th century under the impact of different platforms of mass media and new technologies (i.e. written press, radio, cinema and television). I have three goals in undertaking this project. First, I map and trace the history of changes of what I call \u201cthe parole of Mexican soccer\u201d or the way Mexico talks about soccer. Second, I explore how Mexican media invested in creating a soccer star mega-system. Third, I analyze how Mexican soccer imagination changes under the impact of a media cross-fertilizations process. Up to this point, there are no studies that research how different technologies influence of language of Mexican soccer. This is a void that I propose to fill by revising the history of the relationship between soccer and mass media in Mexico throughout the 20th century. My dissertation consists of 5 chapters. The first chapter analyzes Esto, which became the sports weekly magazine most widely sold in Mexico during the 40s. In this chapter, I examine how Esto narrated soccer by addressing the following questions: 1) how did the press begin to organize and imagine Mexican soccer narratives, 2) how did Esto\u2019s chronicles and/or interviews build a star-system that later established itself as a common practice for other mass media, and 3) what rhetoric started to be associated with soccer, or how was a soccer narrative founded in the newspapers of the 1940s. The second chapter analyzes the \u201cGolden Age\u201d of Mexican cinema, especially the movie Los hijos de don Venancio (1944). I review how did cinema speak about soccer in Mexico along with the star system that movies built or how they fed the celebrity discourse already institutionalized by the written press. In chapter three, I focus in Chanoc (1959-1981?), which was one of the most successful comic books in the 1960s through the 1980s. By entering the universe of soccer comic books, Mexican soccer began to be narrated through parody and picaresque. Also, the topics start to diversify. Acknowledging all these changes, I explore how Chanoc mocked the \u201cnaci\uf3n mexicana futbolera\u201d through the lens and satirized language of Televisa sport commentator \uc1ngel Fern\ue1ndez, a major talking point of Chanoc\u2019s football series. Chapter four analyzes how Tom\ue1s Mojarro talked in his UNAM radio program Paliques y cabeceos (1982-1986) about the social and economic implications that the 1986 World Cup had on its staging throughout Mexico. Tom\ue1s Mojarro provides insights into Televisas\u2019s investments in the mega-event, and how the Mexican state aided the media corporation. The last chapter analyzes the telenovela El juego de la vida (2001) and the new \u201csentimental\u201d and \u201cfeminine\u201d language that the soap opera added to the existing (male) narratives of soccer in Mexico. I am interested in finding how this telenovela was able to imagine the impossible women of mid/high classes becoming protagonists of such an uncharted territory of Mexican masculine landscape.Thesis (Ph. D.)--Michigan State University. Hispanic Cultural Studies, 2016Includes bibliographical references (pages 176-188
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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