1,721,093 research outputs found

    A painterly dialogue: Exploring the critical context of historical artwork through their juxtaposition with newly commissioned installations by Lothar Götz. [Research Portfolio]

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    Goetz, Lothar (2019) Lothar Götz: Fairground Abstract. [Show/Exhibition] Goetz, Lothar (2017) Enter Stage Left , The craft of the`true in art. [Show/Exhibition] Goetz, Lothar (2017) Drama Queens - Tango to Heaven. [Show/Exhibition] Goetz, Lothar (2016) Lothar Goetz Threesome. [Show/Exhibition] Goetz, Lothar (2016) Pas De Trois. [Show/Exhibition] Goetz, Lothar (2016) The Russell Chantry Lothar Goetz / Duncan Grant. [Show/Exhibition

    Examining and challenging the visions and politics of early modernism using contemporary architectural paintings as a methodology. [Research Portfolio]

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    Goetz, Lothar (2019) Brewers Towner Commission - Dance Diagonal. [Artefact] Goetz, Lothar (2019) Zig Zag Orange. [Artefact] Goetz, Lothar (2014) Happy Together + I have a dream -shown in the Festival of Love. [Artefact

    Exploring how colour and abstraction can perceptually affect the way we experience social spaces, using immersive wall paintings as a methodology. [Research Portfolio]

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    Goetz, Lothar (2017) We're Back Leeds Art Gallery / Xanadu. [Show/Exhibition] https://sure.sunderland.ac.uk/id/eprint/8812/ Goetz, Lothar (2017) Seurat to Riley: The Art of Perception. [Show/Exhibition] https://sure.sunderland.ac.uk/id/eprint/8724/ Goetz, Lothar (2016) Composition for a Staircase. [Show/Exhibition] https://sure.sunderland.ac.uk/id/eprint/6602

    Upbeat, commissioned by Canary Wharf for the Riverside Steps to celebrate Pride Month 2022 in London

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    Upbeat on the Riverside Steps by Lothar Götz, 2022 The risers of these three flights of steps up this staircase are divided into facetted coloured lozenges or triangles arranged into squares, the colours coming from the Progress Pride Rainbow flag – celebrating the LGBTQ+ Pride in London festival. I imagine the work, formed of coloured shapes, akin to the pattern on a technicolour version of a red carpet, laid out as an upbeat celebration of all the progress made in that LGBTQ+ rights – and almost like the colours on a disco dance floor. However the geometric shapes include pink triangles which reference the badges that gay people had to wear – and the oppression they had to suffer – in Nazi concentration camps. The triangular, lozenged patterning also picks up on the forms of the surrounding architecture, visible as you ascend the steps: from the triangular rooftop cap to the 1991 One Canada Square, designed by architect César Pelli to the the criss-cross filigree façade of the more recent 2020 residential tower designed by Horden Cherry Lee Architects

    Themes from the collection: Contemporary

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    Pallant House Gallery is one of Britain’s most distinctive modern art museums. Located in the centre of Georgian Chichester it is a unique combination of a Grade I listed Queen Anne townhouse with elegant domestic interiors and a contemporary extension. Here historic and modern sit side-by-side in a conversation across the centuries. The Gallery houses a world-class collection of Modern British art, together with international, contemporary and historic works, and an exciting programme of critically acclaimed exhibitions. Often described as a ‘collection of collections’ the Gallery’s permanent collection is formed from a small number of significant gifts and bequests from generous individuals and so tells a story of collecting as well as the wider history of Modern British Art. The illustrated guide provides an introduction to the Gallery and its history, architecture and collections, and the stories of the people behind it

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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