964 research outputs found

    Love in the First Degree: Manfred, Byron, and Incest

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    This is the author accepted manuscript. The final version is freely available from the University of Colorado via the link in this recordNote that the text of the manuscript varies considerably from the final published versionThis essay suggests that Byron’s Manfred contains not an expression of Byron’s guilt about his incest with his half-sister Augusta Leigh, as previous critics have suggested, but rather considerable evidence of his lack of guilt. It argues that the play displays incest and torment, but in fact does not link the two, instead displaying Manfred’s love for Astarte as deeply felt without regrets. The essay then argues that one finds the same combination of deep love and lack of regret in Byron’s remarks about his relationship with his half-sister, as well as in the representations of incest in his other works. It suggests that this acceptance of incest links to Byron’s commitment to rational thinking and personal freedom, and it invites future criticism to explore this connection in more detail

    Bank of Information and Algorithms as Instrument Aiding Managerial Personnel in Industrial Combines

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    The economic practice of the GDR shows that computer-based information most often find their application in particular branches of tho company's activity. These branch systems cannot satisfy comprehensive demond for information of managerial personnel in industrial plants und combinos. Information services for the managerial personnel can be successfully provided by the bank of information and algorithms since such is the original task of this bank. It should store the information which due to its importance for the managerial staff must be very rapidly prepared as well as the Information which plays a special role in management processes. Specific nature of decision processes at higher levels of management creates a difficulty in exact determination of information requirements as declared by the managerial personnel of those lovels as a basis fox- creation of information resources for the information bank. The author suggests a practical solution of this problem through analysis of information streams and information resources existing already In companies and taking also into consideration experience of other economic units in this area. Next, the author presents 17 information complexes, which should constitute the contens of the information bank. The algorithms bank is to be an instrument making it possible for the managerial personnel to process the information contained in the information bank. In the algorithms bank there are to be collected algorithms in the form of programme units, which can be put together to receive the user's programme. The author lists six group of algorithms which should be included into the bank. The dialogue between the user and the machine is the most recommended way of using the bank of information and algorithms. However duo to the fact that it calls for proper preparation of the user, we cannot treat direct co-operation between the manager and the digital machine as a standard solution, and it must be carried out through a specialized staff unit acting the role of a middleman.Zadanie pt. Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej naukę

    Manfred Macmillan

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    Decadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space. Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature

    Manfred Macmillan

    No full text
    Decadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space. Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature

    Introducing the Recent development in input-output analysis

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    This is a draft chapter. The final version is available in Recent Development in Input-Output Analysis, edited by Erik Dietzenbacher, Michael L. Lahr, and Manfred Lenzen, published in 2020, Edward Elgar Publishing Ltd. https://doi.org/10.4337/9781786430816. The material cannot be used for any other purpose without further permission of the publisher, and is for private use only

    Czech topics in work of Manfred Böckl

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    Diese Abschlussarbeit beschäftigt sich mit tschechischen Themen in Werken des bayerischen Schriftstellers Manfred Böckl. Am Anfang werden das Leben und die Schöpfung dieses Autors vorgestellt, danach folgt die Analyse von tschechischen Themen bei ausgewählten Titeln. Die Arbeit ergänzt das Interview mit Manfred Böckl.Tato práce se zabývá českými tématy v dílech bavorského spisovatele Manfreda Böckla. Na začátku je představen život a tvorba tohoto autora, poté následuje analýza českých témat u vybraných literárních titulů. Práci doplňuje rozhovor s Manfredem Böcklem.This thesis is about czech topics in writings of bavarian author Manfred Böckl. In the first part there is described his life and literary output. After thet there is analysis of czech topics in selected literary works. Thesis is filled in with interview with Böckl himself.Katedra cizích jazykůDokončená práce s úspěšnou obhajobo

    Unique immunological signatures distinguish severe COVID-19 from non-SARS-CoV-2-driven critical pneumonia

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    Stefanie Kreutmair, Susanne Unger, Nicolás Gonzalo Núñez, Florian Ingelfinger, Chiara Alberti, Donatella De Feo, Sinduya Krishnarajah, Manuel Kauffmann, Ekaterina Friebel, Sepideh Babaei, Benjamin Gaborit, Mirjam Lutz, Nicole Puertas Jurado, Nisar P. Malek, Siri Goepel, Peter Rosenberger, Helene A. Häberle, Ikram Ayoub, Sally Al-Hajj, Jakob Nilsson, Manfred Classen, Roland Liblau, Guillaume Martin-Blondel, Michael Bitzer, Antoine Roquilly, Burkhard Becher* Correspondence to: [email protected]

    Unique immunological signatures distinguish severe COVID-19 from non-SARS-CoV-2-driven critical pneumonia

    No full text
    Stefanie Kreutmair, Susanne Unger, Nicolás Gonzalo Núñez, Florian Ingelfinger, Chiara Alberti, Donatella De Feo, Sinduya Krishnarajah, Manuel Kauffmann, Ekaterina Friebel, Sepideh Babaei, Benjamin Gaborit, Mirjam Lutz, Nicole Puertas Jurado, Nisar P. Malek, Siri Goepel, Peter Rosenberger, Helene A. Häberle, Ikram Ayoub, Sally Al-Hajj, Jakob Nilsson, Manfred Classen, Roland Liblau, Guillaume Martin-Blondel, Michael Bitzer, Antoine Roquilly, Burkhard Becher* Correspondence to: [email protected]

    Distinct immunological signatures discriminate severe COVID-19 from non-SARS-CoV-2-driven critical pneumonia

    No full text
    Stefanie Kreutmair, Susanne Unger, Nicolás Gonzalo Núñez, Florian Ingelfinger, Chiara Alberti, Donatella De Feo, Sinduya Krishnarajah, Manuel Kauffmann, Ekaterina Friebel, Sepideh Babaei, Benjamin Gaborit, Mirjam Lutz, Nicole Puertas Jurado, Nisar P. Malek, Siri Goepel, Peter Rosenberger, Helene A. Häberle, Ikram Ayoub, Sally Al-Hajj, Jakob Nilsson, Manfred Classen, Roland Liblau, Guillaume Martin-Blondel, Michael Bitzer, Antoine Roquilly, Burkhard Becher* Correspondence to: [email protected]

    Distinct immunological signatures discriminate severe COVID-19 from non-SARS-CoV-2-driven critical pneumonia

    No full text
    Stefanie Kreutmair, Susanne Unger, Nicolás Gonzalo Núñez, Florian Ingelfinger, Chiara Alberti, Donatella De Feo, Sinduya Krishnarajah, Manuel Kauffmann, Ekaterina Friebel, Sepideh Babaei, Benjamin Gaborit, Mirjam Lutz, Nicole Puertas Jurado, Nisar P. Malek, Siri Goepel, Peter Rosenberger, Helene A. Häberle, Ikram Ayoub, Sally Al-Hajj, Jakob Nilsson, Manfred Classen, Roland Liblau, Guillaume Martin-Blondel, Michael Bitzer, Antoine Roquilly, Burkhard Becher* Correspondence to: [email protected]
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