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Melancholy in the novels of Goce Smilevski (Coversation with Spinoza and Freud's Sister)
Melankolija je kroz povijest prolazila razne statuse, od boljke izazvane manjkom ili viškom crne žuči, preko privlačnog stanja duha koje krasi umjetnike i pjesnike do stanja koje se ne razlikuje uvelike od depresije ili nostalgije. Premda je nekadašnje mišljenje da melankolija zahvaća samo istaknute ljude – filozofe, slikare i pjesnike bilo pogrešno, ona je bila i još uvijek jest jedan od omiljenih motiva koji se mogu pronaći u mnogobrojnim slikama, pjesmama i romanima. Goce Smilevski je postmodernistički makedonski književnik čiji su romani preplavljeni melankolijom. Njegovi se likovi čas bore s melankolijom, čas je njeguju, a svi su oni u nezavidnom položaju u koje ih je stavilo društvo njihova vremena. Dok se Spinoza bori sa strastima koje nikako ne mogu naći mjesto u njegovu svijetu zbog oštećenosti uzorokovane gubitkom majke, Adolfina gura kroz život dok je njeni suputnici gaze, omalovažavaju, podcjenjuju što je rezultiralo time da je njen glas utihnuo i našao svoje mjesto u ludnici. Smilevski nam tumači i približava melankoliju umetanjem citata autora koji su se njome bavili te slikama čiji su lajtmotivi tuga, melankolija, rađanje i umiranje. U radu se sagledava melankolija kroz povijest, analiziraju se prepreke na koje su nailazili oni koji su bili melankolici te kako određena okolina i kultura uvjetuje status nečijeg gubitka i vrednuje ga kao opravdan ili izmišljen. Taj su svijet osude na svojoj koži najbolje iskusile žene koje su, u vrijeme kada je živjela Adolfina, bile stavljene na stup srama ako bi ostale neudane i bez djece. Smilevski svojim melankoličnim likovima daje glas stavljajući ih u svijet fikcije dok je u pozadini stvarno povijesno razdoblje te se u njegovim romanima ispisuju one životne priče koje su ostale izgubljene u vremenu.Melancholia and how it affected people changed throughout the history. In 5th century BC, it was considered as a disease caused by an excess of black bile. Shortly after, it was a state in which people succumbed who were under Saturn's impact which was then considered as the most godly of all planets.
After a while, many theoretics and psychoanalysts started offering their views and conclusions about this condition. Among the most recognized are Freud, Lacan and Julia Kristeva all of which observed how loss affects people and tried to understand which loss is so deep that instead of being experienced through grief, turns into melancholia.
Although melancholia is seen as a heavy and burdensome condition, it found its place in art: poems, novels and paintings and is often interpreted as sweet sorrow that is embraced in life of tortured artists. One of those who used melancholia as a motif in his novels is a macedonian writer Goce Smilevski who adressed melancholia through fictional lives of Baruch Spinoza and Adolfina Freud. He places non-fictional characters in historical time in which they actually belonged to, but he fills out empty pages of their lives with fictional situations as to commemorate those who weren't able to speak for themselves and whose stories were buried with time. In his novels, Smilevski inserts quotes from Kristeva's book Black Sun, Robert Burton's Anatomy of Melancholy and interposes famous paintings such as Rembrant's The Anatomy Lesson of Dr. Nicolaes Tulp and Bellini's Madonna and Child and Crucifixion. This concept of placing other peoples quotes in his novel and referencing to other forms of arts, such as mentioned paintings, is called intertextuality which Smilevski inserts in all his books balancing successfully between fiction and reality
ЕГЗИЛОТ СФАТЕН КАКО ЛИНГВИСТИЧКИ НАСТАН
Овој текст ги проучува различните перспективи и интерпретации на односот помеѓу егзилот и јазикот. Во него се поаѓа од поврзаноста на јазикот со начините на перцепцијата на светот и на Другиот, за кои пишува Азаде Сејхан, осврнувајќи се на пишувањата на Ханс-Георг Гадамер и Емануел Левинас, а се анализира и ставот на Амин Малуф за јазикот како еден од конститутивните елементи на идентитетот. Понатаму текстот се фокусира на односот помеѓу јазикот и егзилот и на трансформативната димензија која на субјектот му ја носи тој однос, преку видувањата на овој феномен на Лешек Колаковски, Чеслав Милош, Нина Берберова, Едвард Саид и Јосиф Бродски, кој егзилот го разбира како лингвистички настан
ЗАЗОРОТ И ДИСЛОКАЦИЈАТА ВО ДРАМСКИТЕ TЕКСТОВИ „КАЗАБАЛКАН“, „ЕВРОАЛИЕН“ И „ХОТЕЛ ЕВРОПА“ ОД ГОРАН СТЕФАНОВСКИ
ГОРАН СТЕФАНОВСКИ Во нејзината книга за субјектот на
абјектноста, Моќите на хоророт, француската теоретичарка Јулија Кристева ги поврзува абјектот/абјектноста со загубата на дистинкцијата помеѓу себството и другоста. Овој труд го испитува односот помеѓу абјектноста и дислокацијата во неколку драми од Горан Стефановски
ПЕРСПЕКТИВАТА НА ПРЕМЕСТЕНОСТА ВО МУЗЕЈ НА БЕЗУСЛОВНОТО ПРЕДАВАЊЕ И ВО МИНИСТЕРСТВО НА БОЛКАТА ОД ДУБРАВКА УГРЕШИЌ
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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