1,721,090 research outputs found
Giuseppe Gatti - Frammento d'iscrizione contenente la Lex horreorum - Roma 1885
No full textEsmein A. Giuseppe Gatti - Frammento d'iscrizione contenente la Lex horreorum - Roma 1885. In: Mélanges d'archéologie et d'histoire, tome 6, 1886. pp. 162-165
Giuseppe Gatti Riccardi, Aprehensión subjetiva de la urbe. La representación de Montevideo en las letras orientales: Hugo Burel y sus precursores
Full text linkReseña del libro de Giuseppe Gatti Riccardi, Aprehensión subjetiva de la urbe. La representación de Montevideo en las letras orientales: Hugo Burel y sus precursores, Edizioni Nuova Prhomos. Citta di Castello, 2013, 421 pp
837824_Suppl_Tables – Supplemental material for Safe cross-clamp time using Custodiol®–histidine-tryptophan-ketoglutarate cardioplegia in the adult
No full textSupplemental material, 837824_Suppl_Tables for Safe cross-clamp time using Custodiol®–histidine-tryptophan-ketoglutarate cardioplegia in the adult by Giuseppe Gatti, Elisabetta Rauber, Gabriella Forti, Bernardo Benussi, Marco Gabrielli, Carla Gripari, Gianfranco Gustin and Aniello Pappalardo in Perfusion</p
Combined Approaches to Characterize the intermediates in alkyne cyclocarbonylations promoted by bioxazoline Pd(II) complexes
No full text"Manual de espumas. Estudios, balances y relecturas de las vanguardias históricas en una dimensión transatlántica"
No full text
Verzeichniß Aller Römischen Kayser, sowohl Occidentalischer als Orientalischer, samt deren Nahmen, Vaterlande, Jahren oder Monathen Ihrer Regierung, auch Art Ort und Zeit Ihres Todes und Alters : Aus bewehrten Geschicht-Schreibern zusammen getragen, und bis auf den Tod Ihro Kayserl. Majestät Caroli VI. fortgesetzet ; 1741
No full text[Giuseppe Gatti]Kopftite
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
El sutil regodeo de la decadencia. Dinámicas urbanas, fronteras permeables y tiempo suspendido en El museo de cera de Jorge Edwards
No full textEl objetivo del presente artículo consiste en proponer una relectura de la novela El museo de cera, que el escritor chileno Jorge Edwards publicó en 1981, concentrando la atención no sólo en la habitual interpretación crítica que evidencia la lúcida condena satírica del pensamiento reaccionario chileno, sino abordando la trama desde una perspectiva que ilumina la relación entre tiempo individual y colectivo. En paralelo, se examina la representación de la decadencia de una arquitectura sociopolítica, poniendo en relación las imágenes ficcionales de Edwards con las representaciones del declive presentes en la narrativa austrohúngara de comienzos del siglo xx. Se analizan, finalmente, las dinámicas de ósmosis entre los dos espacios geosociales descritos en la ficción evidenciando la permeabilidad de sectores en apariencia opuestos.The purpose of the present article consists of proposing a different interprtetation of the novel El museo de cera, which the Chilean writer Jorge Edwards published in 1981: we will concentrate not only in the habitual critical interpretation that confirms the lucid satirical sentence of the reactionary Chilean thought, but we will approach the plot from a perspective that demonstrates the relation between individual and collective time. At the same time, we analyze the representation of the decadence of a social and political structure, by connecting the fictional images from Edwards with the representations of the decline presented in the Austro-Hungarian narrative of the beginning of the 20th century. Finally, we examine the dynamics of osmosis between the two geosocial contexts described in the fiction demonstrating the permeability of sectors by all appearances opposite
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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