1,720,968 research outputs found
Notte europea dei ricercatori 2019 | #Athleisure (tutte le età), studenti di moda disegnano lo stile di domani
No full textMostra di elaborati grafici. Studenti di moda disegnano lo stile di domani.
A cura di Ines Tolic, Andrea Serrau, Giulia Caffaro
27 settembre 2019 - Viale Tiberi
ZoneModa Journal
No full textZoneModa Journal (ZMJ) is the first Italian journal dedicated to fashion research in its complexity: aesthetic, social, cultural, economic, historical. Its aim is to cover an interdisciplinary space intersecting fashion criticism and fashion theory.
ZMJ was founded in 2009 by scholars in fashion studies from Bologna University and it is supported by the Department for Life Quality Studies (QuVi), Bologna University, Rimini Campus. ZMJ is a bi-annual, open access, double blind peer-reviewed publication. It is ranked “Class A” in Anvur sector 10 (Literature, Art, History), “Scientific Journal” in sector 08 (Architecture) and 11 (History, Philosophy, Psychology)
Da una strategia di comunicazione aziendale innovativa all’immagine di una città. Intervista ad Anna Martina
No full textF for Fashion: A Collaborative and Multidisciplinary Project on Fake and Fashion
No full textCoordinated by Roy Menarini and Ines Tolic, F for Fashion is one of the initiatives promoted by the Institute of Advanced Studies of the University of Bologna and by the Culture Fashion Communication International Research Centre during the 2020/2021 academic and pandemic year.
Reflecting on the commissioned theme of “fake” and connecting eleven international experts in Fashion Studies, this project explored new ways of teaching, doing research, and networking by virtually involving professors and students of the Bachelor’s Degree in Fashion Cultures and Practices, of the International Master’s in Fashion Studies, and the PhD Programme in Science and Culture of Well-being and Lifestyles of the University of Bologna — Rimini Campus
Standard Celebrities. Evolution of Communication Strategy in the Ready-to-wear Fashion Industry
Full text linkIn the middle of the 1950s, Italy was going through the "economic miracle" and the significant diffusion of industrialization helped the birth of what we could call the "standard fashion". The production revolution was gradually entering into the consumers’ culture; it was, therefore, necessary to build an image able to pilot the purchasing attitudes of the Italian population.The case of the Gruppo Finanziario Tessile (GFT) shows, through some well-known examples of advertising of the 1960s, how the cult of celebrities influenced the ready-made clothing market, structured in an efficient standard sizing system. Since products were mass market-oriented, sales testimonials’ campaigns had to belong to the mass culture and stimulate ever-new purchasing needs in the population. From the cult of celebrity, they moved to the culture of celebrities
Fra progetto e partecipazione. Intervista con Laura Marcolini (Studio Azzurro)
Full text linkIntervista realizzata con Laura Marcolini, che collabora alla scrittura e alla direzione artistica dei progetti di Studio Azzurro. Fondato nel 1982 da Fabio Cirifino, Paolo Rosa e Leonardo Sangiorgi, il collettivo ha esplorato nel corso degli anni – e continua a farlo – le possibilità poetiche ed espressive dei nuovi linguaggi tecnologici. A loro si aggiunse, dal 1995 al 2011, Stefano Roveda, esperto di sistemi interattivi.
Oggi Studio Azzurro ha sede presso la Fabbrica del Vapore di Milano
Transfashional. Post-Interdisciplinary Lexicon Moves to Rimini. Exhibition and Catalogue by Dobrila Denegri, City Museum of Rimini – Modern Hall, October, 27 2019 – January, 6 2020
No full textThe City Museum of Rimini currently hosts the exhibition titled “Transfashional – Post-Interdisciplinary Lexicon,” curated by Dobrila Denegri with the support of the students of FAST, second degree course in Fashion Studies, University of Bologna, Rimini Campus. Started in 2016, the Transfashional project1 involves researchers whose creative practice is carried out among various disciplines and dissolves the boundaries that have traditionally kept fashion, design, architecture, art and science apart. The exhibition in Rimini is the conclusion of a long path that has crossed different towns and their leading museums
The Italian Ready-to-wear Fashion through Cori-carousels
No full textThe present research delves into the GFT’s female Carousel production between 1964 and 1973. Thanks to the precious collection of documents found in the Archives, we were able to demonstrate, through the use of the Cori’ example, the entity of the connection between the fashion industry and the media channels in Italy, when the clothing consumption and the channel used for advertising them became massive
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