1,721,060 research outputs found
Recensão a Giulia BARATTA, Antiguidades de Villajoyosa Gomilla y Cartagena: l’Anonymus Olisiponensis
No full textRecensão crítica do livro, de Giulia Baratta, «Antiguidades de Villajoyosa Gomilla y Cartagena: l’Anonymus Olisiponensis». Nº 3 da colecção ARMARIVM, dirigida pela autora. Edição de Scienze e Lettere, Roma, 2024. 384 páginas ilustradas. ISBN: 978-88-6687-266-5.Procura mostrar-se o interesse da publicação em análise
Rec. a Giulia Baratta, Benest, malest. Archeologia di un gioco tardo-repubblicano (Col·lecció Instrumenta, 67), Barcelona: Universitat de Barcelona, Edicions, 2019
No full text6) Giulia Baratta, Benest, malest. Archeologia di un gioco tardo-repubblicano (Col·lecció Instrumenta, 67), Barcelona: Universitat de Barcelona, Edicions, 2019, in Instrumentum 51, 2020, pp. 14-1
Giulia Baratta & Silvia Maria Marengo (a cura di), Instrumenta inscripta III. Manufatti iscritti e vita dei santuari in età romana. Macerata, EUM, 2012
No full textRaepsaet-Charlier Marie-Thérèse. Giulia Baratta & Silvia Maria Marengo (a cura di), Instrumenta inscripta III. Manufatti iscritti e vita dei santuari in età romana. Macerata, EUM, 2012. In: L'antiquité classique, Tome 83, 2014. pp. 399-400
Giulia Baratta & Silvia Maria Marengo (a cura di), Instrumenta inscripta III. Manufatti iscritti e vita dei santuari in età romana. Macerata, EUM, 2012
No full textRaepsaet-Charlier Marie-Thérèse. Giulia Baratta & Silvia Maria Marengo (a cura di), Instrumenta inscripta III. Manufatti iscritti e vita dei santuari in età romana. Macerata, EUM, 2012. In: L'antiquité classique, Tome 83, 2014. pp. 399-400
Resumen de la conferencia de Giulia Baratta y Marc Mayer Olivé sobre la cerámica de Gaius Valerius Verdullus
No full textIt is a summary on the conference held at the National Archaeological Museum on May '), 25-5-2023 entitled “The talking ceramics of C. Valerius Verdullus from la
Maja (Pradejón, La Rioja)” given by Dr. Giulia Baratta (Università di Macerata) and by Dr. Marc Mayer Olivé (University of Barcelona). In the lecture, after an
introduction contextualizing this signed production of thin-walled vessels as ephemeral ceramics destined for parties and events in the city of Calagurris, the main themes found in these potteries are described: zodiac, chariot races, gladiatorial games, oak leaves, myth of Hippolytus, myth of Actaeon, cave fossam, gifts for Saturnalia, erotic theme. It ends up relating the texts and images that decorate these ceramics with the literary environment of the time, thus showing the special cultural relevance that literature had in the city of Calahorra towards the Flavian era.Este trabajo es un resumen de la conferencia en el Museo Arqueológico Nacional el 25-5-2023 titulada “La cerámica parlante de C. Valerius Verdullus de la
Maja (Pradejón, La Rioja)” por la Dra. Giulia Baratta (Università di Macerata) y el Dr. Marc Mayer Olivé (Universidad de Barcelona). En la conferencia, tras una introducción contextualizando esta producción firmada de vasos de paredes finas como cerámica efímera destinada a fiestas y eventos de la ciudad de Calagurris, se describen los principales temas encontrados: zodíaco, carreras de vigas y cuadrigas, juegos gladiatorios, hojas de roble, mito de Hipólito, mito de Acteón, cave fossam, saturnalia, erótico. Se concluye relacionando los textos e imágenes de estas cerámicas con el ambiente literario de la época, mostrando así la especial relevancia cultural que tuvieron las letras en la ciudad de Calahorra en el entorno de la época Flavia
L'iscrizione di Orrippo da Megara ad Avignone e al Cabinet des médailles: storia ed interpretazioni di IG VII 52
No full texta cura di Marc Maier i Olivé, Giulia Baratta, Alejandra Guzman Almagr
‘Aree e luoghi sacri’ nelle iscrizioni cristiane di Roma
No full textSi presentano, in forma ancora preliminare, alcune anticipazioni di uno studio più ampio che, attraverso l’analisi della produzione epigrafica e dei relativi contesti monumentali di appartenenza, ha come obiettivo l’individuazione e l’analisi della gamma lessicale e dei moduli espressivi direttamente o indirettamente riferibili ad un’area o ad una struttura ‘sacra’ materialmente tangibile e, almeno potenzialmente, fruibile. La varietà funzionale della documentazione epigrafica permette di osservare i fenomeni relativi ai processi di sacralizzazione degli spazi da diversi punti di vista; le iscrizioni funerarie documentano il fenomeno delle sepolture ad sanctos, le iscrizioni monumentali di apparato e gli elogia martyrum testimoniano gli interventi di individuazione e monumentalizzazione delle tombe martiriali, i graffiti devozionali tracciati dai pellegrini consentono di definire il tipo e l’intensità della frequentazione che ha interessato un determinato insediamento martiriale
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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