1,720,977 research outputs found

    CAFFÈ ZIMMERMANN: Il salotto musicale d’America

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    “Caffè Zimmermann” dedica una puntata al “salotto musicale d’America”, nel quale Diego Mantoan presenta la storia poco nota del mecenate italoamericano Lionello Perera, che negli anni Trenta del Novecento inaugurò con la moglie Carolyn Allen nel salone della propria residenza nel Upper East Side di Manhattan il più significativo ritrovo di musicisti e compositori della Grande Mela. Amico fidato di Arturo Toscanini, patrono di Ildebrando Pizzetti, protettore di Giancarlo Menotti e promotore di Enrico Caruso, Lionello Perera emerge come uomo d’affari e mecenate sensibile alla causa degli emigrati italiani a New York, convinto che l’arte e la musica del Belpaese potessero elevare la condizione dei suoi connazionali in America. La puntata trae dal radiodramma per RAI Radio3 “Toscanini e l’amico di New York” (2017) realizzato con Giulia Alberti (soprano), Ilaria Torresan (pianoforte) e Chiara Clini (voce narrante), nonché dalla monografia “Lionello Perera: An Italian Banker and Patron in New York” (Vernon Press 2022). Gli argomenti e gli ascolti di questa puntata sono selezionati insieme alla musicologa e soprano Giulia Alberti

    Johann Adolph Hasse: Venetian Barcaroles

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    15 Venetian barcaroles retrieved from the 18th century collection of Johann Adolph Hasse, originally transcribed by Adamo Scola for Walsh in London (1744-48)

    Un quadretto di vivacità veneziana: Goethe, Hasse e il riverbero delle barcarole nelle arti del Settecento

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    Saggio specialistico tematico in occasione della nuova produzione della Fondazione Teatro La Fenice intitolato "Gondellieder: Goethe e le canzoni da battello

    Johann Adolph Hasse: Venetian Barcaroles

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    15 rediscovered Venetian barcaroles of the mid 18th century collected originally bu J.A.Hasse and provided in a modern edition with a critical essay to reconstruct the historical context.15 Venetian barcaroles retrieved from the 18th century collection of Johann Adolph Hasse, originally transcribed by Adamo Scola for Walsh in London (1744-48)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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