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    Giovanni Marinelli

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    Giovanni Marinelli. In: Annales de Géographie, t. 9, n°45, 1900. p. 276

    Giovanni Marinelli

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    Giovanni Marinelli. In: Annales de Géographie, t. 9, n°45, 1900. p. 276

    Al professore Giovanni Marinelli nel XXVo. anniversario delle sue nozze.

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    A Giovanni Marinelli, di G. Mazzoni. -Di alcune lettere inedite o ignorate del P. Ippolito Desideri, di C. Puini. -Venezia descritta da un pellegrino per Terra Santa dal secolo XV, di E. Bittanti. -L'Italia nella Rumenia moderna, di C. Calmuschi. -Leggende cimbriche, di b. Frescura. -La Groenlandia in due carte del XV secolo. di A. Mori. -L'abolizione dei Templari secondo Giovanni Villani, di G. Salvemini. -Appunti su le imitazioni italiane da Aristofane, di P L. Rambaldi. -Studio sulle torbiere compresse nell'anfiteatro morenico d'Ivrea, di G. De Agostini.Mode of access: Internet

    Territorial frameworks and the European objective: the new national and regional challengers

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    A “Holistic” vision of the territory, that clearly differentiates the governance policies through differentiated investments between the Metropolitan areas, the Networks of intermediate cities and the Internal Areas, is one of Italy’s solutions to the main challenges of the European Community. Marche Region has started multi-regional and international strategic projects, in line with the European objectives of integration and territorial cohesion, such as the Trans-European Transport Network, in which the port of Ancona is one of the terminals of the Scandinavian-Mediterranean corridor or recognition of the Adriatic-Ionian Macro-Region, which will function as a catalyst for integration projects in the area, which includes eight Countries and the Italian regions, on the shores of the two seas. The different projects under European programs such as Interreg III B, I-Log and III A Galileo-net, Med, MarCo Polo II and various studies on the main dynamics of the movement of goods and people, have over the years defined a series of actions to raise awareness of the potential of the entire territorial system of Marche within the large transportation networks that characterize the Mediterranean basin. In this European framework, Marche is a natural border area for the experimentation of new resilient models of integration between the hinterland areas “of slow landscapes” and the “hinge territories” (hub) for transitional flows, in a holistic vision (Smart Urbanism?) that combines quality of life, social innovation, research and environmental rebalancing. These are the indicators with which in 2021 we will redefine the roadmap for Marche of the future, the paths and the results attained

    Giovanni Marinelli (1846–1900) and Olinto Marinelli (1874–1926)

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    Giovanni Marinelli and his son Olinto are regarded as the two main figures in the establishment and institutionalization of modern academic geography in Italy, between the last decades of the nineteenth and the beginning of the twentieth century. Their contribution was principally in physical geography and in the role played by cartography in describing and understanding the relations between humans and the environment. In spite of their relatively short lifespans, the Marinellis had enduring influence: most Italian geographers accepted their theoretical and methodological approach for a long time after their death – indeed, the influence of the Marinellis is recognizable in the teaching of geography even today. In making reference to the origins of the Marinellis and to the role they played in shaping Italian geography, some scholars have introduced the term ‘Scuola Friulana’ (the Friulian School) to connote their conjoint scientific approach and its legacy, even if the centre of influence for their work was Florence and the Istituto di studi superiori – the main hub of Italian positivism – and the Società di Studi Geografici founded in Florence in 1895 as an academic response to the politicized Società Geografica Italiana of Rome. It was due to Olinto Marinelli’s work in general and to his participation in international research projects in particular that Italian geography was integrated into the mainstream of European and North American geography. After 1945 especially, criticism of their work stressed their extreme positivism and deterministic approach which, critics argued, isolated Italian geography from new international trends in the discipline. A further element of their critical acceptance concerned their contribution to, and responsibility for, the politicization of the geographical sciences, notably their seeming supporting of Italy’s colonial policies as well as adherence to imperialistic and fascist spatial theories. This essay examines the work of the two men, father and son, and, in review, assesses their contribution within Italy and further afield

    Giovanni Marinelli

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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