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    From Iberian Innovation to Sardinian Appropriation: Breaking down Giovanni Delogu Ibba's Index libri vitae

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    To reach the rich core of the culture of Sardinia, one must sift through the layers of sediment left by the people that have lived their history on Sardinia's soil.The early chapters of the dissertation provide important cultural and historical background information for my analysis. But even in the light of the innumerable outside influences on Sardinia over the years, it would be incorrect to view the island's culture as a chameleon that simply takes on any and all aspects of the currently dominating tribe of people because this assumes that the civilization of the island is completely devoid of its own long standing and very unique traditions. My dissertation examines one of the primary theatrical genres of Sardinia, the sacre rappresentazioni, and traces the origins of this genre through two different religious-based literary traditions of the island, the letteratura agiografica and the gosos, religious poetic compositions, performed through song and written in praise of the Lord, the Virgin Mary or the saints. One of the primary focuses of this study is to examine what influence the roughly 400-year Spanish presence had on these religious works in Sardinia. I explore the ways in which Iberian culture at times blended into the already established traditions of the island, and at other times imposed itself on these traditions, by introducing something entirely new. As the primary text for my study, I have Giovanni Delogu Ibba and his 18th century work Index libri vitae, as it provides a very characteristic presentation of Sardinia at the time in which he was writing. Delogu Ibba's ILV (1736) is divided by the author into seven books, written in three different languages (Latin, Castilian and Logudorese) and contains multiple genres including hagiographic material in its simplest forms, elaborate gosos likely performed on feast days or during processions, and a well-developed passion play focusing on the isclavamentu. Through an analysis of Delogu Ibba's work it is possible to see how these genres, not always of Sardinian origin, are adapted by the author for his own didactic purposes and also indicative of 18th-century Sardinia in which he was writing.Doctor of Philosoph

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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