1,720,952 research outputs found
Retratos vúlvicos. Revista de Estudios de Antropología Sexual. Primera época Vol. 1 Num. 7 (2016) enero-diciembre
No full textEste ensayo abordará una serie de transformaciones, en el contexto de la cultura visual contemporánea, en la representación de la desnudez femenina. Como bien señala Linda Williams, el “show genital” —es decir, la exhibición, en primer plano, del sexo femenino— se remonta a los orígenes de la imagen pornográfica. Baste recordar los numerosos daguerrotipos estereoscópicos de Auguste Belloc, producidos en la segunda mitad del siglo xix; en ellos la genitalidad femenina es enmarcada en un plano cerrado, a la manera de L’origine du monde (1866) de Gustave Coubert, una diáfana alegoría pictórica de las obsesiones escópicas de la fotografía licenciosa. El precio de esta puesta en imagen del sexo es, en la economía visual del porno, la obliteración de la subjetividad. En cambio, en el pasaje del split beaver al retrato vúlvico, el sexo adquiere la significancia de un rostro, al contrario del anonimato pornográfico, rostrificar un sexo es dotarlo de una inmanente singularidad. El retrato vúlvico opera, entonces, una suerte de desterritorialización anatómica de la imagen-afección, tal y como la concibe Gilles Deleuze en sus estudios sobre cine. El primer plano, como encuadre de lo expresivo, enmarca al sexo como espacio de significación, en una topología fotográfica de subjetividades genitalizadas. Esta conferencia intentará dar cuenta de las múltiples estrategias representacionales del retrato vúlvico, explorando los avatares de la figuración de la genitalidad femenina en el arte contemporáneo.This essay will aprproach a series of transformations, in the context of the contemporany visual culture about the representation of female nudity. As Linda Williams says, the “genital show” —it means, the exhibition in foreground of female sex— goes back to the origins of the pornographic image. It’s enough to remember the numerous stereoscopic daguerreotypes of Auguste Belloc, produced in second half of nineteenth century, in them female genitality is framed in a close plane, like L’origine du monde (1866) of Gustave Coubert, a diaphanous pictorial allegory of scopic obsessions about licentious photography. The Price of this visual image of sex is, in the visual economy of porn, the obliteration of subjectivity. Instead, in the passage from split Beaver to vuvital portrait, sex acquires the significance of a face, contrary to pornographic anonymity, facing a sex is to endow it with an immanent singularity. The vulvic portrait operates like a sort of anatomical deterritorialization of the image-affection, as Gilles Deleuze conceiveid in his studies on cinema. The foreground, as a framing of the expressive, frames sex as a space of significance, in a photographic topology of genitalized subjectivities. This essay will attempt to give multiple representational strategies of the vulvital portrait, exploring the avatars of femenine genitality figuration in contemporany art.Adams, Frannie (2009), Pussy Portraits, Frankfurt, Reuss.Aubenas, S. y P. Comar (2003), Obscénités. Photographies interdites d’AugusteBelloc, París, Albin Michel/Bibliothèque Nationale de France.Baudrillard, Jean (1989), Cool Memories, Barcelona, Anagrama.
— (1993), De la seducción, Barcelona, Planeta.
— (2000), El intercambio imposible, Madrid, Cátedra.Blank, Joani (ed.) (2011), Femalia, Hong Kong, Last Gasp.Borzello, Frances (2012), The Naked Nude, Londres, Thames & Hudson.Crimp, Douglas (2005), Posiciones críticas. Ensayos sobre las políticas de arte y la identidad, Madrid, Akal.Deleuze, Gilles (1984), La imagen-movimiento. Estudios sobre cine 1, Barcelona, Paidós.Giménez Gatto, Fabián (2011), Erótica de la banalidad, México, Fontamara.Irigaray, Luce (2009), Ese sexo que no es uno, Madrid, Akal.Kapsalis, Terry (1997), Public Privates. Performing Ginecology from both Ends of the Speculum, Durham, Duke University Press.Karras, Nick (2003), Petals, Korea, Cristal River Publishing.Leonard, Zoe (1993), “Entrevista con Laura Cottingham”, en Journal of Contemporary Art; disponible en [http://www.enfocarte.com/2.13/enttrevista.html]; consultado el 30 de agosto de 2014.Maines, Rachel P. (1999), The Technology of Orgasm. “Hysteria”, the Vibrator, and Women’s Sexual Satisfaction, Baltimore, Johns Hopkins University Press.Marzano, Michela (2006), La pornografía o el agotamiento del deseo, Buenos Aires, Manantial.Naumann, F. M. y D. Nolan (2010), The Visible Vagina, Illinois, Johns Byrne Company.Rees, Emma L. E. (2013), The Vagina. A Literary and Cultural History, Nueva York, Bloomsbury.Robertson, Wrenna (ed.) (2011), I’ll Show You Mine, Canadá, Show off Books.Sanyal, Mithu M. (2012), Vulva. La revelación del sexo invisible, Barcelona, Anagrama.Wallace, M., M. Kemp y J. Bernstein (2007), Seduced: Art and Sex from Antiquity to Now, London, Merrel Publishers Limited/Barbican Art Gallery.Williams, Linda (1999), Hard Core. Power, Pleasure, and the “Frenzy of the Visible”, California, University of California Press
. Primera época Vol. 1 Num. 7 (2016) enero-diciembre. Revista de Estudios de Antropología Sexual
No full text- Editorial por Edith Yesenia Peña Sánchez - Retratos vúlvicos, por Fabián Giménez Gatto - Entre los dichos y los trazos infantiles. Reflexiones sobre las construcciones sexuales de niños y niñas, por Diana Bazán Vargas - Los exóticos: luchadores diversos en construcción, por Leonardo Bastida Aguilar y Ariel Cruz Ortega - Sexo, pecado y delito: la violación sexual a través del Código Penal, por Velvet Romero García - Bandas feminicidas: desafección e impunidad en México, por Héctor Domínguez Ruvalcaba - La diferencia sexual: una narración teórica desde los estudios de género, por Citlalin Ulloa Pizarro - Sexualidad, ejercicio sexual de las mujeres e instituciones. Tres municipios rurales en México, 1993, por Alma Gloria Nájera Ahumada, Bertha Aparicio Jiménez e Isaura Ortiz Álvarez - Performance e incertidumbre: la pornografía amateur en México, por Héctor Daniel Guillén Rauda - Relaciones de poder en la comunicación intercultural entre el médico alópata y la indígena embarazada/familiar en los hospitales públicos de la zona metropolitana de Guadalajara, por Yazbeth Pulido Hernández - De historia, sociedad, trata y trabajo sexual en México, por Marcela Suárez Escobar y Carlos Humberto Durand Alcántara - Reseñas: - Discriminación y violencia. Sexualidad y situación de vulnerabilidad, por María Eugenia Flores Treviño - La noche sexual, por Joan Vendrell Ferré - Prototipos, cuerpo, género y escritura, por Edith Yesenia Peña Sánchez - De los autores (semblanzas)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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