1,720,957 research outputs found
Uma espectrografia do autoritarismo: o tempo da Ditadura na literatura do século XXI (2000-2020)
Full text linkNarrar um período histórico é sempre contingente a questões políticas, sociais, históricas, culturais e temporais. No caso de um período histórico recente como as ditaduras do Cone Sul do século XX e, em especial, a ditadura brasileira de 1964 a 1985, “o que foi” (ou o que é) ainda está em disputa. A história do passado é reconstruída no presente quando recuperamos, reacendemos, reincorporamos e mesmo modificamos o modo de ver, de contar e de dizer. Este artigo pretende apresentar e situar histórica, social, literária e temporalmente a catalogação da produção de narrativas literárias longas em que as ditaduras militares brasileiras e do Cone Sul são recuperadas e reconstruídas literariamente, no século XXI, bem como sua relação formal, estética e temática com o período em questão. Também se dedicará a pensar como a obra de Bernardo Kucinski pode ser lida a partir dos deslocamentos temporais que opera e da relação com as diferentes temporalidades em que se situa, da justiça, da memória e da história
Entrevista com Pepe Rovano: cineasta ítalo-chileno diretor do documentário Bastardo: la herencia de un genocida (2023)
Full text linkThis is an interview conducted in February 2024 (by video call) with Pepe Rovano, the Italian-Chilean director of the documentary Bastardo: la herencia de un genocida. It presents Pepe Rovano\u27s biography, an introduction to the 2023 documentary and an interview focused on this feature film, the director\u27s position as the "son of a genocidaire" and the ethical-moral and aesthetic dilemmas in representing the subject, among others.Se trata de una entrevista realizada en febrero de 2024 (por video llamada) a Pepe Rovano, director ítalo-chileno del documental Bastardo: la herencia de un genocida. Presenta la biografía de Pepe Rovano, una introducción al documental de 2023 y una entrevista centrada en el largometraje, la posición del director como "hijo de un genocida" y los dilemas éticos, morales y estéticos que implica la representación del tema, entre otros.Il s\u27agit d\u27un entretien réalisé en février 2024 (par appel vidéo) avec Pepe Rovano, le réalisateur italo-chilien du documentaire Bastardo: la herencia de un genocida. Il présente la biographie de Pepe Rovano, une introduction au documentaire de 2023 et un entretien axé sur ce long métrage, la position du réalisateur en tant que "fils d\u27un génocidaire" et les dilemmes éthico-moraux et esthétiques liés à la représentation du sujet, entre autres.Trata-se de uma entrevista realizada em fevereiro de 2024 (via vídeo chamada) com Pepe Rovano, diretor ítalo-chileno do documentário Bastardo: la herencia de un genocida. Apresenta-se a cinebiografia de Pepe Rovano, uma introdução ao documentário de 2023 e uma entrevista voltada para tal longa-metragem, a posição do diretor enquanto “filho de genocida” e os dilemas éticos-morais e estéticos ao representar a temática, entre outros
Testimonios de los hijos de perpetradores
No full textThe article analyzes the documentary Bastardo, la herencia de un genocida, by Pepe Rovano, and the literary text La resaca de la memoria, by Verónica Estay Stange, both of which explore the personal and collective spoils inherited by their authors - both descendants of perpetrators of the Chilean dictatorship (1973-1990). Drawing on the theories of Michael Rothberg (2019), around the concept of “implication,” and Gabriele Schwab (2010), about “haunting legacies,” we seek to examine how Rovano and Stange ethically, politically, and artistically elaborate the violence committed by their relatives, as well as the ways in which they confront these violent legacies. Both the film and the play construct “disobedient” testimonies that challenge the pacts of silence and impunity still in force, contributing to the critique of the continuity of repressive practices. In addition, they promote in-depth reflections on state violence and human rights in Latin America, especially at a crucial moment for the revision of the frameworks of social memory: the 50th anniversary of the coup d'état in Chile.El artículo analiza el documental Bastardo, la herencia de un genocida, de Pepe Rovano, y el texto literario La resaca de la memoria, de Verónica Estay Stange, obras que exploran los despojos personales y colectivos heredados por sus autores - ambos descendientes de perpetradores de la dictadura chilena (1973-1990). A partir de las teorías de Michael Rothberg (2019), en torno al concepto de «implicación», y de Gabriele Schwab (2010), acerca de los «haunting legacies», buscamos examinar cómo Rovano y Stange elaboran ética, política y artísticamente la violencia cometida por sus familiares, así como las formas en que enfrentan estas violentas herencias. Tanto la película como la obra construyen testimonios «desobedientes» que desafían los pactos de silencio e impunidad aún vigentes, contribuyendo a la crítica de la continuidad de las prácticas represivas. Además, promueven reflexiones de fondo sobre la violencia estatal y los derechos humanos en América Latina, especialmente en un momento crucial para la revisión de los marcos de la memoria social: el 50 aniversario del golpe de Estado en Chile
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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