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Interview with Gilbert F. Casellas
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Gilbert F. Casellas (L \u2777) is a lawyer and businessman. He is Chairman of OMNITRU, a Washington, D.C. area investment and consulting firm, a director of Prudential Financial, trustee of the University of Pennsylvania, and advisor to Toyota Motor North America and Comcast Corporation. He is a member of the Council on Foreign Relations and the American Law Institute. From 1994 to 1998 he served as chair of the Equal Employment Opportunity Commission
Gilbert, F Red, NX23295
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/387457Surname: GILBERT. Given Name(s) or Initials: F RED. Military Service Number or Last Known Location: NX23295. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 36899.209558
Item: [2016.0049.19750] "Gilbert, F Red, NX23295
Interview recording: Clifford H. and Gilbert F. Hoppenstedt
No full textInterview of Clifford H. Hoppenstedt DVM, Class of 1935, and Gilbert F. Hoppenstedt VMD. Interview Date: February 9, 2009. Interviewer: Donald F. Smith, DVM, Austin O. Hooey Dean Emeritus.1_p2h0qxv
Photograph of Gilbert F. Rogers on a ledge, The Grampians, Victoria.
No full textTitle devised by cataloguer.; Part of the: Jim Davidson Australian postcard collection, 1880-1980.; Condition: Faded, scratched, surface abrasion.; Signed and annotated by Gilbert F. Rogers.; Also available online at: http://nla.gov.au/nla.pic-vn6449048; Published in: The grandeur of the Grampian Mountains / photographed by Gilbert F. Rogers. [Victoria? : s.n., 193-?]
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Bandier (N.), Gilbert (F.), Micoud (A.), 1980, La Parole de la ville. Lyon, PUL
No full textBailly Antoine S.Bailly Antoine S. Bandier (N.), Gilbert (F.), Micoud (A.), 1980, La Parole de la ville. Lyon, PUL. In: L'Espace géographique, tome 12, n°4, 1983. p. 316
Experimental investigations of the pressure distribution in a regenerative turbine pump, the Sta-Rite TH-7
No full textThesis: B.S., Massachusetts Institute of Technology, Department of Mechanical Engineering, 1953Includes bibliographical references (leaf 22).by Gilbert F. Lutz.B.S.B.S. Massachusetts Institute of Technology, Department of Mechanical Engineerin
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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