1,721,064 research outputs found
Dataset for the paper: "Di Felice, L.J.; Ripa, M.; Giampietro, M. Deep Decarbonisation from a Biophysical Perspective: GHG Emissions of a Renewable Electricity Transformation in the EU."
No full textDataset used for the development of scenarios in the publication "Di Felice, L.J.; Ripa, M.; Giampietro, M. Deep Decarbonisation from a Biophysical Perspective: GHG Emissions of a Renewable Electricity Transformation in the EU. Sustainability 2018, 10, 3685." and used for a case study in "Di Felice L., Dunlop T., Giampietro M., Kovacic Z., Renner A., Ripa M., Velasco-Fernández R. – Report on the Quality Check of the Robustness of the Narrative behind Energy Directives. MAGIC (H2020–GA 689669) Project Deliverable 5.4, 30 November 2018". (link: https://magic-nexus.eu/documents/d54-report-narratives-behind-energy-directives).
Sources of other secondary data (from papers, reports) specified in the dataset (under tab "input codes")</p
Datasets for paper 'Cabello, V., Renner, A., Giampietro, M. 2019. Relational analysis of the resource nexus in arid land crop production. Advances in Water Resources 130:258-629'
No full textDatasets produced for the paper Cabello, V., Renner, A., Giampietro, M. 2019. Relational analysis of the resource nexus in arid land crop production. Advances in Water Resources 130:258-269</p
Diurnal and Nocturnal Personalities in Developmental Psychology
No full textIn the first decades of the XXth century a distinction beteen diurnal and nocturnal personalities was introduced, whihc is important on both pathological and non pathological areas. This distinction has both psychological and biological characteristics. Studies have been published with particuar reference to children, Adolescents, Adults and Olders wiht reference to the two personality typologies. Our research is an overvie about the topic with specific reference to different developmental range ages, behaviour and consequencences - either pathological of non pathological - which the to personality dispositions can involv
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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