1,262 research outputs found
Letter from Carl Hayden to Fred S. Breen
No full textLetter from Carl T. Hayden to Fred S. Breen concerning the expenditure of $100,000 to purchase Bright Angel Trail
Letter from Carl Hayden to Fred S. Breen regarding Sale of Bright Angel Trail
No full textLetter from Carl Hayden to Fred S. Breen regarding Yaki Point, the sale of Bright Angel Trail and the building of a road between Maine and the Grand Canyon
Cheesman_Supplemental_Material_rev – Supplemental material for Comparison of Adopted and Nonadopted Individuals Reveals Gene–Environment Interplay for Education in the UK Biobank
No full textSupplemental material, Cheesman_Supplemental_Material_rev for Comparison of Adopted and Nonadopted Individuals Reveals Gene–Environment Interplay for Education in the UK Biobank by Rosa Cheesman, Avina Hunjan, Jonathan R. I. Coleman, Yasmin Ahmadzadeh, Robert Plomin, Tom A. McAdams, Thalia C. Eley and Gerome Breen in Psychological Science</p
Sea City
No full textDr Sally Breen is the author of The Casuals (2011), winner of the Varuna Harper Collins Manuscript Prize, and Atomic City (2013), shortlisted for the People’s Choice Book of the Year Queensland Literary Awards 2014. Her short form creative and non-fiction work has been published internationally including features in Overland, Griffith Review, Meanjin, The Guardian London, The Age, Review of Australian Fiction, Sydney Review of Books, Best Australian Stories, Hemingway Shorts, TEXT and The Asia Literary Review. Sally is a regular contributor to The Conversation where she writes on a variety of topics from pop culture to sport, film, visual arts and rock n roll. Sally is senior lecturer in creative writing at Griffith University Australia and executive director of Asia Pacific Writers and Translators. Her latest work ‘Don’t You Know You’ve Got Legs – A Gold Coast Surf Culture Manifesto’ features in Lines to the Horizon, out now with Fremantle Press. Sally has worked as associate editor of the Griffith Review, fiction editor of Wet Ink and edited numerous collections and special editions of journals including TEXT, MC Journal and eleven editions of Talent Implied – New Writing from Griffith. She recently co-edited a collection of new writing from the Asia Pacific Meridian – the APWT Drunken Boat Anthology of New Writing available worldwide from the APWT website www.apwriters.org and SPD Books in the US. More of Sally’s work can be accessed via her website https://www.sallybreen.com.auFull Tex
Genomewide association scan of suicidal thoughts and behaviour in major depression
No full textBACKGROUND: Suicidal behaviour can be conceptualised as a continuum from suicidal ideation, to suicidal attempts to completed suicide. In this study we identify genes contributing to suicidal behaviour in the depression study RADIANT. METHODOLOGY/PRINCIPAL FINDINGS: A quantitative suicidality score was composed of two items from the SCAN interview. In addition, the 251 depression cases with a history of serious suicide attempts were classified to form a discrete trait. The quantitative trait was correlated with younger onset of depression and number of episodes of depression, but not with gender. A genome-wide association study of 2,023 depression cases was performed to identify genes that may contribute to suicidal behaviour. Two Munich depression studies were used as replication cohorts to test the most strongly associated SNPs. No SNP was associated at genome-wide significance level. For the quantitative trait, evidence of association was detected at GFRA1, a receptor for the neurotrophin GDRA (p = 2e-06). For the discrete trait of suicide attempt, SNPs in KIAA1244 and RGS18 attained p-values of <5e-6. None of these SNPs showed evidence for replication in the additional cohorts tested. Candidate gene analysis provided some support for a polymorphism in NTRK2, which was previously associated with suicidality. CONCLUSIONS/SIGNIFICANCE: This study provides a genome-wide assessment of possible genetic contribution to suicidal behaviour in depression but indicates a genetic architecture of multiple genes with small effects. Large cohorts will be required to dissect this further.Alexandra Schosser, Amy W. Butler, Marcus Ising, Nader Perroud, Rudolf Uher, Mandy Y. Ng, Sarah Cohen-Woods, Nick Craddock, Michael J. Owen, Ania Korszun, Lisa Jones, Ian Jones, Michael Gill, John P. Rice, Wolfgang Maier, Ole Mors, Marcella Rietschel, Susanne Lucae, Elisabeth B. Binder, Martin Preisig, Julia Perry, Federica Tozzi, Pierandrea Muglia, Katherine J. Aitchison, Gerome Breen, Ian W. Craig, Anne E. Farmer, Bertram Müller-Myhsok, Peter McGuffin and Cathryn M. Lewi
Margaret Breen giving a talk on Edward Irenaeus Prime-Stevenson
No full textPhoto of Margaret Breen (University of Connecticut) discussing author Edward Irenaeus Prime-Stevenson. Breen gave a talk titled “Queer Translations: Prime-Stevenson’s Imre (1906) and The Intersexes (1908) and the Emergence of Homosexual Identity”. This talk was from the event German Discovery of Sex: Medicine, Activism, Literature which took place on April 16, 2011 as part of the Henry J. Leir Chair Programming for the 2010-2011 season. Robert Tobin was the Henry J. Leir Chair from 2008 up until his passing in 2022.
These are Robert Tobin\u27s photos, originally hosted on his WordPress site provided by Clark University.https://commons.clarku.edu/tobindiscphotos/1009/thumbnail.jp
Rethinking Power: An Analysis of Media Coverage of Sexual Abuse in Ireland, the UK and the USA
No full textThe author Michael Breen is a Government of Ireland Fellow 2003/2004 and this research has been possible through the Fellowship scheme of the Irish Research Council for Humanities and Social Sciences.
This paper has been part funded by a conference grant from the College Research Directorate, Mary Immaculate College, University of Limerick.Ye
Rethinking Power: An Analysis of Media Coverage of Sexual Abuse in Ireland, the UK and the USA
No full textThe author Michael Breen is a Government of Ireland Fellow 2003/2004 and this research has been possible through the Fellowship scheme of the Irish Research Council for Humanities and Social Sciences.
This paper has been part funded by a conference grant from the College Research Directorate, Mary Immaculate College, University of Limerick.Ye
De tafel als metafoor voor architectuur
No full textThis book is the result of an exercise at the Faculty of Architecture of Delft Technical University, The Netherlands, The task was set by the Staff of the department for Study of elementary form and composition. The theme of this exercise was 'the Table as ametaphor for architecture' which was one of the tasks in the study project entitted 'Image and materialisation'. The students developed and presented their ideas in models scale 1 to 5, In the article 'the table as an architectural object' by Jack Breen, tabledesign is reviewed in relation to the architectural design tradition. In the article 'the table of ten : aselection', Bernard OIsthoorn offers a critical analysis of the students' designs and focusses on ten selected projects, In the categories 'Modern Classics', Dynamism and a A-symmetry', 'Sculpture and Construction' and 'Devise and Building Kit' a thematic impression of the students' designs is given.Staf VormstudieArchitectur
Of Darkness and Stars
No full textJapanese author Sayaka Murata erupted onto the world stage in 2016 with the release of Convenience Store Woman, a novel which sold over a 1.4 million copies. As is often the case with non-Western authors who achieve sudden global recognition, the depth and breadth of her oeuvre was downplayed in favour of a narrative of overnight success. Easier to sell the story of an unknown author who has walked out of a vacuum and just begun, but this is not the case. Sayaka Murata published her first book Breastfeeding in 2003, has published eleven novels in Japanese since then and won all of Japan’s major literary awards. But until recently only two of her novels had been translated into English. Muraka herself worked in a convenience store throughout her literary career and would have continued to do so but was forced to quit when she was stalked by a crazed fan. In an interview with The Guardian in 2020, she said she had become attuned to the rhythm of working and ‘found it hard to sit around all day writing.’ In the pictures that accompany the article her expression is blank, something I find curious. In nearly all the other available images of her online she is animated, smiling, cheeky. It’s as if The Guardian wanted to project a particular stereotype of a demure Japanese woman, even though she’s known for work which openly satirises patriarchal systems and attitudes, particularly the reduction of people to ‘nesters’ and breeders.No Full Tex
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