12,252 research outputs found
Bey dem Grabe der weiland Hochwohlgebohrnen Frau Frau Annen Sophien von Prittwitz geb. von Wolframsdorf Sr. Hochgebohrnen Herr Joachim Siegmund von Prittwitz Churfürstl. Sächs. Hauptmanns vonn der Infanterie liebgewesene Frau Gemahlin Welche am 23. Jänner 1766. in Kemberg in Jhrem 65sten Jahre im Herrn entschlafen und den 25. hierauf ... beygesetzt worden bezeuget seine innige Wehmuth ... Schwiegersohn Gottlieb Müller Probst und Superintendent zu Kemberg
Trauerrede auf Anne Sophie von Prittwitz, geb. Wolframsdorf, Frau von Joachim Sigmund von Prittwitz, Kurfürstl. Sächs. Hauptmann der Infanterie, +23. Jan. 1766Autopsie nach Exemplar der ULB Sachsen-Anhalt (Halle)Vorlageform des Erscheinungsvermerks: Wittenberg gedruckt bey Johann Samuel Gerdesius
Anne as Pagan, Anne as Queer
‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Developing a state communications campaign to reduce excessive alcohol use in Oregon: findings from a formative audience assessment
Megan Gerdes, MPH (Interim Alcohol and Other Drug Prevention Services Manager, Oregon Health Authority), Victoria Buelow, MA (Lead Alcohol Research Analyst, Oregon Health Authority), Steven C. Fiala, MPH (Evaluation Lead, Oregon Health Authority), Kate Gunby, MA, PhD (Research Director, PRR), Diana Steeble, BA (Managing Principal and National Healthcare Lead, PRR), Chien-Yu Chen, MS, PhD (Research Associate, PRR), Jordan Tuia, BA (Senior Research Coordinator, PRR (former)), Anne Frugé, MA, PhD (Senior Research Associate, PRR).Title from PDF caption (viewed on April 7, 2023).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (pages 31-32).Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Interview with Anne Russell
Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
This thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Editor's inscription in Valentine Duval : an autobiography of the last century
Editor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
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