1,721,098 research outputs found
Supplemental_material – Supplemental material for From substance to process: A meta-ethnographic review of how healthcare professionals and patients understand placebos and their effects in primary care
Supplemental material, Supplemental_material for From substance to process: A meta-ethnographic review of how healthcare professionals and patients understand placebos and their effects in primary care by Doug I Hardman, Adam WA Geraghty, George Lewith, Mark Lown, Clelia Viecelli and Felicity L Bishop in Health:</p
AIM827228_Supplemental_material_1 – Supplemental material for Supporting informed choice in acupuncture: effects of a new person-, evidence- and theory-based website for patients with back pain
Supplemental material, AIM827228_Supplemental_material_1 for Supporting informed choice in acupuncture: effects of a new person-, evidence- and theory-based website for patients with back pain by Felicity L Bishop, Maddy Greville-Harris, Jennifer Bostock, Amy Din, Cynthia A Graham, George Lewith, Christina Liossi, Tim O’Riordan, Peter White and Lucy Yardley in Acupuncture in Medicine</p
AIM827228_Supplemental_material_2 – Supplemental material for Supporting informed choice in acupuncture: effects of a new person-, evidence- and theory-based website for patients with back pain
Supplemental material, AIM827228_Supplemental_material_2 for Supporting informed choice in acupuncture: effects of a new person-, evidence- and theory-based website for patients with back pain by Felicity L Bishop, Maddy Greville-Harris, Jennifer Bostock, Amy Din, Cynthia A Graham, George Lewith, Christina Liossi, Tim O’Riordan, Peter White and Lucy Yardley in Acupuncture in Medicine</p
Supplemental material for Effects of empathic and positive communication in healthcare consultations: a systematic review and meta-analysis
Supplemental material for Effects of empathic and positive communication in healthcare consultations: a systematic review and meta-analysis by Jeremy Howick, Andrew Moscrop, Alexander Mebius, Thomas R Fanshawe, George Lewith, Felicity L Bishop, Patriek Mistiaen, Nia W Roberts, Eglė Dieninytė, Xiao-Yang Hu, Paul Aveyard and Igho J Onakpoya in Journal of the Royal Society of Medicine</p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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