1,721,167 research outputs found
George Davidson
Get PDF"Henry R. Wagner contributed to the Quarterly of the California Historical Society an appreciative biography [of George Davidson].
George Davidson, The Alaska Boundary. 1903
No full textGoegg Egmond. George Davidson, The Alaska Boundary. 1903. In: Le Globe. Revue genevoise de géographie, tome 44, 1905. pp. 174-175
Todd, George Davidson, 1856-1929 (SC 311)
Get PDFFinding aid and scan (Click on additional files below) for Manuscripts Small Collection 311. Typed copy of speech delivered on 7 March 1898 by George Davidson Todd at Filson Club, Louisville, Kentucky, entitled The First Cotton Factory in the West
Todd, George Davidson, 1856-1929 (SC 2604)
Get PDFFinding aid and scan (Click on Additional Files below) for Manuscripts Small Collection 2604. Typescript copy of a speech given by George Davidson Todd, Louisville, Kentucky, before the Filson Club in May 1894. The title of the speech is “A Sketch of Judge Harry Innes,” and details Innes’ life as an attorney, judge, and a leader in the early development of Kentucky
The real Armageddon /
No full textAlso available online at: http://nla.gov.au/nla.aus-vn1951372; FERG copy from Ferguson First World War, 1914-1919 pamphlet collection
Summer music camp awards, University of Idaho. Hall Macklin and George Davidson. [222-25]
No full text1951 photograph of Music Department. Hall Macklin presenting a summer music camp award to George Davidson. Donor: Publications Dept. [PG1_222-025
Portrait of Reverend George Davidson, D.D., Adelaide, South Australia, 1914 [picture] /
No full textTitle devised by cataloguer from inscriptions.; Inscriptions: "Hammer Adelaide"--On mount; "Rev George Davidson D.D Adelaide S.A Moderator Australia 1914"--In black ink on verso.; Condition: Foxing, some marks on image, damage to bottom of mount.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4652812
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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