1,721,213 research outputs found
Box 1, Neg. No. 33: George Baker
No full textThis black and white photograph features a portrait of George Baker at age 94. George Baker from St. John, Kansas (age 94) ordered the photograph.https://scholars.fhsu.edu/stafford_county/1038/thumbnail.jp
[George Baker with a beard, at about 60 years old]
No full textPhotograph of George Baker at about 60 years old. Back of photo written in blue ink has identification photo. Also states: George Baker was buried Baker lot, Richmond, Texas. Born 8-5-39 and died 10-10-1916. Baker wearing small, wire-framed eyeglasses, has thinning, gray hair with mustache and beard. He is wearing a striped suit with a white shirt and dark scarf. Photograph (oval) is mounted on a gray cardboard matte with a darker gray and white border around photo
[George Baker with a mustache]
No full textPhotograph of George Baker. (as identified on back of photo in pencil and blue ink.) Older, balding man with gray hair and mustache. His suit jacket has a medal and pin attached to the left lapel. He has a white shirt and striped tie (crooked). Photo (oval cut) is mounted on a tan cardboard matte. Photographer name is engraved in lower, right corner: ?, Houston, Texas. Photo has scratches in top right area. Matte is stained (water?)
Recensão: George Baker, “Late Criticism” in Canvases and Careers Today. Criticism and its Markets
No full textRecensão de: George Baker, "'Late Criticism' in Canvases and Careers Today. Criticism and its Markets", Berlin: Sternberg Press, 2008Fundação para a Ciência e a Tecnologia (FCT), Fundação Millennium bc
[Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, and Earl McFarland]
No full textPhotograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing
[Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, and Earl McFarland]
No full textTintype image of six boys identified (from copy in George Family Archives) as: Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, and Earl McFarland. Three boys in the front row are seated (the two on the left are wearing dark jackets and hats, all three are not wearing shoes.) The three boys in back row are standing (boy in center is wearing a dark vest, striped shirt, light hat)
George Baker, a seasonal resident of Frenchboro, researched the feasibility of w
No full textGeorge Baker, a seasonal resident of Frenchboro, researched the feasibility of wind energy for the Swan\u27s Island and Fox Islands electric co-ops and presented his findings to islanders. Vinalhaven and North Haven voters authorized the Fox Islands co-op to pursue the wind-power financing plan he outlined. He has given presentations on Peaks Island and elsewhere and was hired to develop a plan for Monhegan Island
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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