168 research outputs found
Stilus - modus - usus. Regeln der Konflikt- und Verhandlungsführung am Papsthof des Mittelalters (Einleitung)
No full textRhetorik in Mittelater und Renaissance. Konzepte - Praxis - Diversität, herausgegeben von Georg Strack und Julia Knödler, München, Herbert Utz Verlag, 2011, pp. 488 (Münchner Beiträge zur Geschichtswissenschaft, 6)
No full textrecensione a Rhetorik in Mittelater und Renaissance. Konzepte - Praxis - Diversität, herausgegeben von Georg Strack und Julia Knödler, München, Herbert Utz Verlag, 2011, pp. 488 (Münchner Beiträge zur Geschichtswissenschaft, 6
Akustische Masken auf dem Theater/ Maschere acustiche in teatro: Text - Sprache - Performanz/ Testo - Lingua - Performance
No full textI molteplici interessi scientifici e professionali - teatrologici, storici, linguistici, derivanti dall'attuale prassi attoriale e registica - che sono alla base di questi saggi offrono un quadro sfaccettato e complesso delle riflessioni sul discorso della comunicazione teatrale nei due paesi, le cui peculiarita, piu che le somiglianze, spiccando nel confronto, gettano una luce incrociata particolarmente interessante. Il filo rosso che si intreccia alla trama di questi contributi e senz'altro il complesso rapporto che lega la parola del testo teatrale con quella che si realizza sulla scena, ovverosia cio che in realta si puo definire lo specifico dell'evento teatrale in se, il quale si realizza sul doppio piano di testo e performance.Welchen Status und welche Funktion hat die Sprache in gegenwartigen und historischen performativen Kunstpraktiken? Dieser Frage sind die Autorinnen und Autoren in vergleichender deutsch-italienischer Perspektive nachgegangen. Neben sprachwissenschaftlichen und philologischen Aspekten stehen theaterpraktische Reflexionen und aktuelle Inszenierungsformen ebenso wie theoretische Uberlegungen und neue Forschungsimpulse zur Diskussion
Adolf Strack : Ein Beitrag zur Volkskunde um 1900
No full textDie biographisch-wissenschaftsgeschichtliche (und somit auch zeitgeschichtliche) Studie erinnert an eine Person, die zu Lebzeiten als wichtige Persönlichkeit der Volkskunde gewürdigt wurde, nach dem Zweiten Weltkrieg jedoch aufgrund fachinterner Neubewertungen in Vergessenheit geriet.
Adolf Strack lebte und wirkte in einer Zeit des Umbruchs. Das Wilhelminische Kaiserreich wurde durch soziale und wirtschaftliche Umwälzungen geprägt, die zu gravierenden Des- und Neuorientierungen im Leben der Menschen führten. Im Bürgertum des ausgehenden 19. Jahrhunderts fanden Diskussionen um konfessionelle und ethnische Fragen statt; insbesondere das Interesse am eigenen Volk war von nationaler Bedeutung, es ermöglichte die Konstruktion einer Nation auf ethnischer Grundlage.
Strack griff als Lehrer und Universitätsdozent, als systemkonformer Beamter diese Tendenzen auf. In einer wissenschaftlich betriebenen Volkskunde sah er die Möglichkeit, die nationalen Einigungsbestrebungen unterstützen und die sozialen Mißstände mildern zu können. Deshalb strebte Strack nach einer Etablierung der Disziplin einerseits auf institutioneller Ebene, er war u. a. Mitbegründer der Hessischen Vereinigung für Volkskunde sowie Mitinitiator und bis zu seinem Tode 1906 Vorsitzender des Verbandes deutscher Vereine für Volkskunde, andererseits auf kognitiver Ebene, er gehörte zu den Vertretern einer kollektivistischen Anschauungsweise in Anlehnung an Georg Simmels Soziologie, Karl Lamprechts Geschichtswissenschaft und Wilhelm Wundts Völkerpsychologie
Metaphor from the ground up: understanding figurative language in context/ Daniel C. Strack.
No full textIncludes bibliographical references and index.Cross-referencing neurobiological knowledge with the invariance hypothesis, relevance theory, and frame semantics, Metaphor from the Ground Up: Understanding Figurative Language in Context unifies metaphor theory, fundamentally rethinks "context," and moves linguistics into the twenty-first century.Introduction: Metaphor theory at an impasse -- 1. Metaphor grounded in sense perception -- 2. Metonymic binding and conceptualization -- 3. The challenge of feature attribution -- 4. Conceptual filtering -- 5. Context and goal orientation -- 6. Metonymic cues and narrative framing -- 7. Metaphor productivity and dual-mode instantiation -- Conclusion: invariance and beyond -- Glossary -- Bibliography -- Index -- About the author.1 online resource (viii, 187 pages
Georg Theodor Schirrmacher. Architekt między Gdańskiem, Berlinem a Hamburgiem
No full textThe aim of this article is to present the life and works of Georg Theodor Schirrmacher (1833, Gdańsk – 1864, Berlin), a young architect from Berlin Bauakademie, whose flourishing career in Berlin and Hamburg was interrupted by premature death. Schirrmacher, along with Herman von der Hude, was the designer of the first Kunsthalle in Hamburg, built in 1863-69, commissioned by the city council and local art. society. The monograph is based on a scattered legacy from the architect, which can now be found in Berlin (Technische Universitat, Kunstbibliothek and Kupferstichkabinett by Staatliche Museen zu Berlin) and Warsaw (Institute of Art of the Polish Academy of Sciences). Schirrmacher’s known legacy consists of a dozen or more drawings and blueprints made during his study at the Bauakademie; several dozen of drawings depicting his hometown, Gdańsk, its remarkable architecture and famous artworks; a couple of architectural design competition projects (i.e. Vienna Court Opera on Ringstrasse); and finally picturesque watercolours documenting his artistic grand tour through Italy and Greece. Georg Theodor drew inspiration both from the architecture of Italian Renaissance and the medieval Gdańsk monuments, but his main source of knowledge and sense of architectural style were above all his masters and mentors: the Gdańsk art teacher Johann Carl Schultz, not long deceased Berlin’s architect Karl Friedrich Schinkel and his students, at that time professors at Bauakademie, Friedrich August Stuler, and Johann Heinrich Strack. The thoroughly examined research materials show that the artistic route taken by Schirrmacher was very typical of most Bauakademie students at the time; however, due to his sudden death Georg Theodor was not able to step forward in order to develop his own unique style and to win acclaim among other architects.The aim of this article is to present the life and works of Georg Theodor Schirrmacher (1833, Gdańsk – 1864, Berlin), a young architect from Berlin Bauakademie, whose flourishing career in Berlin and Hamburg was interrupted by premature death. Schirrmacher, along with Herman von der Hude, was the designer of the first Kunsthalle in Hamburg, built in 1863-69, commissioned by the city council and local art. society. The monograph is based on a scattered legacy from the architect, which can now be found in Berlin (Technische Universitat, Kunstbibliothek and Kupferstichkabinett by Staatliche Museen zu Berlin) and Warsaw (Institute of Art of the Polish Academy of Sciences). Schirrmacher’s known legacy consists of a dozen or more drawings and blueprints made during his study at the Bauakademie; several dozen of drawings depicting his hometown, Gdańsk, its remarkable architecture and famous artworks; a couple of architectural design competition projects (i.e. Vienna Court Opera on Ringstrasse); and finally picturesque watercolours documenting his artistic grand tour through Italy and Greece. Georg Theodor drew inspiration both from the architecture of Italian Renaissance and the medieval Gdańsk monuments, but his main source of knowledge and sense of architectural style were above all his masters and mentors: the Gdańsk art teacher Johann Carl Schultz, not long deceased Berlin’s architect Karl Friedrich Schinkel and his students, at that time professors at Bauakademie, Friedrich August Stuler, and Johann Heinrich Strack. The thoroughly examined research materials show that the artistic route taken by Schirrmacher was very typical of most Bauakademie students at the time; however, due to his sudden death Georg Theodor was not able to step forward in order to develop his own unique style and to win acclaim among other architects
Bewertung des freiwilligen Verzichts auf Nahrung und Flüssigkeit durch palliativmedizinisch und hausärztlich tätige Ärztinnen und Ärzte
No full textCompte rendu de Georg Strack, Solo sermone. Überlieferung und Deutung politischer Ansprachen der Päpste im Mittelalter (2022)
No full texteditorial reviewe
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