28 research outputs found

    English Composition as a Happening

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    From the Introduction: Contemporary Composition is still inflected by the epistemic turn taken in the 1980s, convincing me that we need to remember what we\u27ve forgotten—namely, how impassioned resolves and thrilling discoveries were abandoned and why. I\u27d like to retrace the road not taken in Composition Studies, to salvage what can still be recovered... I want to inspect the wreckage, in order to show what was the promise of the Happenings for Composition, as well as the huge gray longueur of its pale replacement, Eighties Composition. In so doing, I hope to begin a reconfiguration of our field\u27s pre- and after history. What happened to the bold, kicky promise of writing instruction in the 1960s? The current conservative trend in composition is analyzed allegorically by Geoffrey Sirc in this book-length homage to Charles Deemer\u27s 1967 article, in which the theories and practices of Happenings artists (multi-disciplinary performance pioneers) were used to invigorate college writing. Sirc takes up Deemer\u27s inquiry, moving through the material and theoretical concerns of such pre- and post-Happenings influences as Duchamp and Pollock, situationists and punks, as well as many of the Happenings artists proper.https://digitalcommons.usu.edu/usupress_pubs/1133/thumbnail.jp

    BOX-LOGIC

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    Virtual urbanism

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    The twin worlds of electronic conferencing

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    Serial Composition

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    “What is Composition … ?” After Duchamp

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    THE SALON OF 2010

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    Writing at the Point of Traumatic Need

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    Reviews

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    Reviews Mary Pettice. Writing New Media: Theory and Applications for Expanding the Teaching of Composition. (Ed. Anne Frances Wysocki, Johndan Johnson-Eilola, Cynthia L. Selfe, and Geoffrey Sirc, 2004). Kerrie R. H. Farkas. Writing at the End of the World . (Richard Miller, 2005). Edward Sullivan. Field Notes on the Compassionate Life: A Search for the Soul of Kindness. (Marc Ian Barasch, 2005). Brad Lucas. (Re)Writing Craft: Composition, Creative Writing, and the Future of English Studies. (Tim Mayers, 2005)

    New Evidence on Allyn Young's Style and Influence as a Teacher

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    This paper publishes the hitherto unpublished correspondence between Allyn Abbott Young's biographer Charles Blitch and 17 of Young's former students or associates. Together with related biographical and archival material, the paper shows the way in which this adds to our knowledge of Young's considerable influence as a teacher upon some of the twentieth century's greatest economists. The correspondents are as follows: James W Angell, Colin Clark, Arthur H Cole, Lauchlin Currie, Melvin G de Chazeau, Eleanor Lansing Dulles, Howard S Ellis, Frank W Fetter, Earl J Hamilton, Seymour S Harris, Richard S Howey, Nicholas Kaldor, Melvin M Knight, Bertil Ohlin, Geoffrey Shepherd, Overton H Taylor, and Gilbert Walker
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