1,038 research outputs found
Metatarsal bony syndactyly in 2 fetuses with Smith-Lemli-Opitz syndrome : an under-recognized part of the clinical spectrum
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Daniel MORTIER, Le Plaisir de lire des romans. Paris: Garnier, 2023, 257 pp.
No full textThe Pleasure of Reading Novels is the latest work by comparatist Daniel Mortier (1947-2019), a specialist in the reception of Brecht in France, the final draft of which could only be completed thanks to the collaboration of family and disciples, due to the premature disappearance of the author. Based on the specific experience of readers, this monograph aims to investigate in a synthetic but complete way, from different analytical perspectives, the processes that make reading novels pleasurable.El placer de leer novelas es el último trabajo del comparatista Daniel Mortier (1947-2019), especialista de la recepción de Brecht en Francia, cuya redacción final solo pudo ser culminada gracias a la colaboración de familiares y discípulos a causa de la prematura desaparición del autor. Esta monografía se propone indagar de manera sintética pero completa, desde distintas perspectivas analíticas, los procesos que vuelven placentera la lectura de novelas, partiendo de la experiencia específica de los lectores
Third-generation fiction on World War II and the Holocaust (with a Schulzian touch): The “Contrapuntal” Cases of Piotr Paziński and Erwin Mortier
No full textThe paper is a comparative analysis of the „schulzoid” and „contrapuntal” novels by Piotr Paziński (The Boarding House) and Erwin Mortier (Marcel). A comparison of the novels is, however, a pretext to approach a much more complex topic which is the representation of trauma by the third post-Holocaust generation, both from the point of view of the victims (Paziński), and that of the oppressors (Mortier). The author has identified characteristic Schulzian motifs which in The Boarding House and Marcel have different functions: the autobiographical setting, the child-narrator, the tension between harmony and discord of remembrance, fascination with trash, and interest in the myths of genesis. Schulz – both the style of his fiction and he himself as a Holocaust victim – has turned into a significant figure for a generation, connecting two seemingly diverse discourses of Paziński and Mortier
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