4,138 research outputs found
Habitations du Cirque du Soleil
No full textEnsemble de deux bâtiments dont l’un, composé d’un assemblage de conteneurs empilés, donne sur l’avenue du Cirque tandis que l’autre, formé d’une barre plus basse, donne sur la rue Jean-Rivard; Logé au coeur de la Cité des arts et du cirque; Concepteur: Éric Gauthier de la firme d'architectes Faucher Aubertin Brodeur Gauthier (FABG); Ingénieurs en structure: Renaud Lapointe Ing; Ingénieurs en mécanique et électricité: Progemes; Date de construction: 2004; Cours ARC 2340: Photographie en architecture - Projet Cité des arts et du cirque - Été 2021; Professeur: Alain Laforest; Photographie: Alexandra-Ioana Vasile, 2021.05.11; Numéro de repérage: _DSC3817 AIVDans le parterre devant l'édifice: Sculpture d'Andrew Rogers intitulée Unfurlin
Habitations du Cirque du Soleil
No full textEnsemble de deux bâtiments dont l’un, composé d’un assemblage de conteneurs empilés, donne sur l’avenue du Cirque tandis que l’autre, formé d’une barre plus basse, donne sur la rue Jean-Rivard; Logé au coeur de la Cité des arts et du cirque; Concepteur: Éric Gauthier de la firme d'architectes Faucher Aubertin Brodeur Gauthier (FABG); Ingénieurs en structure: Renaud Lapointe Ing; Ingénieurs en mécanique et électricité: Progemes; Date de construction: 2004; Cours ARC 2340: Photographie en architecture - Projet Cité des arts et du cirque - Été 2021; Professeur: Alain Laforest; Photographie: Alexandra Pagé, 2021.05.18; Numéro de repérage: _DSC2492A
Habitations du Cirque du Soleil
No full textEnsemble de deux bâtiments dont l’un, composé d’un assemblage de conteneurs empilés, donne sur l’avenue du Cirque tandis que l’autre, formé d’une barre plus basse, donne sur la rue Jean-Rivard; Logé au coeur de la Cité des arts et du cirque; Concepteur: Éric Gauthier de la firme d'architectes Faucher Aubertin Brodeur Gauthier (FABG); Ingénieurs en structure: Renaud Lapointe Ing; Ingénieurs en mécanique et électricité: Progemes; Date de construction: 2004; Cours ARC 2340: Photographie en architecture - Projet Cité des arts et du cirque - Été 2021; Professeur: Alain Laforest; Photographie: Alexandra-Ioana Vasile, 2021.05.11; Numéro de repérage: _DSC3834 AI
Author, Philosopher Alexandra Stoddard to Speak March 2 at Williams Library
No full textOXFORD, Miss. – Contemporary philosopher, author, interior designer and speaker Alexandra Stoddard gives an inspirational lecture and reading March 2 at the University of Mississippi
Stages for the More Sustainable Farm
No full textCurrently, agricultural farm units are faced with a double and most times contradictory challenge, in order to be successful: on the one hand the invested capital has to be profitable and the economic performance has to be maximised. On the other hand, given the socio-environmental situation, it is necessary to preserve and to protect the environment and natural resources. Given the potential conflict of the two aims, since the satisfaction of one implies the underperformance of the other (and vice versa), the question then is: which is the solution to choose? We intend, in this work, to formulate a farm plan with the purpose of reconciling the criteria of environmental sustainability with that of economic competitiveness. For this achievement we proceed to the comparative study of sustainability of different groups of farms identified in the study area (first evaluation cycle) through MESMIS (“Marco para la Evaluación de Sistemas de Manejo de Recursos Naturales Mediante Indicadores de Sustentabilidad” - Framework for Evaluation of Natural-Resource Systems Handling through Sustainability Indicators) methodology, that allowed to select the more sustainable group of farms. Based on the found potentialities and weakness on these production systems, we stepped to the planning of a production unit of bovine meat, which obeys simultaneously to economic and environmental objectives, using Multicriteria Decision. We finished the work with the sustainability evaluation between groups of farms identified previously and the planned farms (second evaluation cycle), based, again, in the MESMIS methodology, to confirm (or not) the greatest sustainability of the last ones. Analyses of the results allow us to confirm the greatest relative sustainability of the planned farm, for the diverse traced scenarios.Decision taking, planning, sustainability, Environmental Economics and Policy, Farm Management,
Exhibiting Fashion Symposium: Dr. Alexandra Palmer “Fashion Exhibitions: The Good, the Bad, and the Pointless”
No full textThe Museum at FIT presented Exhibiting Fashion, its twenty-first academic symposium on Friday, March 8, 2019. This symposium explored the history of fashion curating, the different ways fashion is displayed in museum settings, and how national and regional identities influence fashion exhibitions. The symposium was organized in conjunction with Exhibitionism: 50 Years of The Museum at FIT, which commemorated the rich history of the museum, the site of more than 200 exhibitions since the 1970s.Dr. Alexandra Palmer is the Nora E. Vaughan Senior Curator at the Royal Ontario Museum. She has curated numerous exhibitions including Christian Dior, and she is the author of the book Christian Dior: History and Modernity, 1947–1957
Reescrita de si pelo outro: identidade portuguesa e paródia em Deus-dará, de Alexandra Lucas Coelho / Rewriting oneself through the other: Portuguese identity and parody in Deus-dará, by Alexandra Lucas Coelho
No full textResumo: O artigo aponta o modo como o romance Deus-dará de Alexandra Lucas Coelho, escritora portuguesa contemporânea, pode ser compreendido como um exercício de renegociação da identidade portuguesa em relação a questões referentes à colonização no Brasil. Mais do que isso, problematiza-se como, por meio da estratégia da paródia no texto ficcional, a autora consegue expressar uma necessidade e possibilidade de se redefinir pelo outro em um movimento contrário ao do discurso colonial – o que também ocorre em suas entrevistas e em suas narrativas de viagens, tais como em Vai, Brasil e Cinco Voltas na Bahia e um beijo para Caetano Veloso. Palavras-chave: identidade portuguesa; paródia; pós-modernismo; escrita portuguesa contemporânea; Alexandra Lucas Coelho. Abstract: The article observes how the novel Deus-dará, by Alexandra Lucas Coelho, a Portuguese contemporary writer consists in an exercise of renegotiation for the Portuguese identity in relation to issues that refer to the colonization process in Brazil. Moreover, this text seeks to show how parody as a fictional literary strategy helps the author in expressing a necessity and a possibility of redefining oneself through the other, in a direction that goes in the opposite way of the colonial speech. This necessity and this possibility also appear in the author’s interviews and travel books, such as Vai, Brasil and Cinco Voltas na Bahia e um beijo para Caetano Veloso, which will also be mentioned in this article.Keywords: Portuguese identity; parody; post-modernism; Portuguese contemporary writing; Alexandra Lucas Coelho
Author Rights Workshop
No full textLearning material associated with Alexandra Kohn's presentation as a part of the ABC Copyright 2020 Fall Speaker Series, hosted by the University of Alberta Copyright Office
SSI; Studio de création
No full textCentre de création et de production des spectacles du Cirque du Soleil; Complexe architectural constitué de deux grandes ailes regroupant le Studio, les Ateliers et le Mât; Architecte du Studio: Dan S. Hanganu; Architecte des Ateliers et du Mât: Éric Gauthier de la firme d'architectes Faucher Aubertin Brodeur Gauthier (FABG); Génie-conseil en structure: NCK; Aménagement intérieur du Mât: Exa Design; Aménagement du jardin d'oeuvres d'art: Claude Cormier + Associées; Dates de construction du Studio: 1994-1997; Date d'inauguration du Studio: Février 1997; Date d'inauguration des Ateliers: Janvier 2001; Date d'inauguration du Mât: Mai 2007; Date d'inauguration du jardin d'oeuvres d'art: 7 juin 2017; Cours ARC 2340: Photographie en architecture - Projet Cité des arts et du cirque - Été 2021; Professeur: Alain Laforest; Photographie: Alexandra-Ioana Vasile, 2021.05.11; Numéro de repérage: _DSC3899 AI
SSI; Studio de création
No full textCentre de création et de production des spectacles du Cirque du Soleil; Complexe architectural constitué de deux grandes ailes regroupant le Studio, les Ateliers et le Mât; Architecte du Studio: Dan S. Hanganu; Architecte des Ateliers et du Mât: Éric Gauthier de la firme d'architectes Faucher Aubertin Brodeur Gauthier (FABG); Génie-conseil en structure: NCK; Aménagement intérieur du Mât: Exa Design; Aménagement du jardin d'oeuvres d'art: Claude Cormier + Associées; Dates de construction du Studio: 1994-1997; Date d'inauguration du Studio: Février 1997; Date d'inauguration des Ateliers: Janvier 2001; Date d'inauguration du Mât: Mai 2007; Date d'inauguration du jardin d'oeuvres d'art: 7 juin 2017; Cours ARC 2340: Photographie en architecture - Projet Cité des arts et du cirque - Été 2021; Professeur: Alain Laforest; Photographie: Alexandra Pagé, 2021.05.18; Numéro de repérage: _DSC2691A
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