1,721,340 research outputs found
The ACEF score in patients undergoing percutaneous coronary intervention. keep it simple and focus on what matters
No full textTakotsubo syndrome and myasthenia gravis. when neuromuscolar disease meets cardiac dysfunction
No full textMyasthenia gravis (MG) is a neuromuscular autoimmune disease that affects the skeletal muscle through the production of autoantibodies against the nicotinic acetylcholine receptor at the neuromuscular junction, thus causing defective neuromuscular transmission in skeletal muscles [1]. MG occurs in 1: 7500 individuals, affecting women during the second to third decade and men in their fifth and sixth decade of life [2]. Typically, patients experience muscle weakness and fatigue, as well as fluctuating and fatigable extraocular (e.g. diplopia, ptosis) and bulbar (dysarthria, dysphagia) muscle weakness, while sensation, reflexes, muscle tone, and autonomic function are usually preserved. Noteworthy
"Alimentazione e malattie del cuore e della circolazione" in "Nutrire il pianeta, nutrirlo in salute. Equilibri nutrizionali di una sana alimentazione" - Quaderni del Ministero delle salute
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Effect of a single oral dose of L-thyroxine (150 micrograms) on serum thyroid hormone and TSH concentrations in clinically euthyroid goitrous patients
No full textProcedura automatica per lo studio dei segnali registrati da una stazione tiltmetrica
No full textLa Tiltmetria costituisce un metodo di misura in continuo della deformazione del suolo attraverso il
monitoraggio delle variazioni di inclinazione nel tempo sia in ampiezza che in direzione ed è particolarmente
utilizzata nelle aree vulcaniche e sismogenetiche attive [Wyatt et al., 1988; Ricco et al., 1991; Ricco et al.,
2000; Ricco et al., 2003; Ricco et al., 2007].
La rete tiltmetrica gestita dalla Sezione Osservatorio Vesuviano dell’ INGV è composta da 7 stazioni
in registrazione continua ai Campi Flegrei, 5 delle quali (DMA, DMB, DMC, BAI ed OLB) sono
equipaggiate con sensori di superficie e 2 (OLB e TOI) anche con sensori borehole; al Vesuvio invece
esistono 2 stazioni con sensori di superficie (OVO e CMD) (fig. 1) [Aquino et al., 2006].INGV Istituto Nazionale di Geofisica e VulcanologiaPublished1.3. TTC - Sorveglianza geodetica delle aree vulcaniche attiveope
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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