1,720,970 research outputs found
Janet Wasko et Vincent Mosco, éds (1992). Democratic Communications in the Information Age
No full textGasher Mike. Janet Wasko et Vincent Mosco, éds (1992). Democratic Communications in the Information Age . In: Communication. Information Médias Théories, volume 15 n°2, automne 1994. pp. 247-251
Nancy Thede et Alain Ambrosi, éds (1991). Video the Changing World, Black Rose
No full textGasher Mike. Nancy Thede et Alain Ambrosi, éds (1991). Video the Changing World, Black Rose. In: Communication. Information Médias Théories, volume 15 n°2, automne 1994. pp. 244-246
Janet Wasko et Vincent Mosco, éds (1992). Democratic Communications in the Information Age
No full textGasher Mike. Janet Wasko et Vincent Mosco, éds (1992). Democratic Communications in the Information Age . In: Communication. Information Médias Théories, volume 15 n°2, automne 1994. pp. 247-251
The Grey Fox meets Jumanji : the emergence of the feature-film industry in British Columbia
Full text linkThis thesis studies the emergence since the late 1970s of a feature-film industry in British Columbia. The thesis asserts that the relationship of this cinema its place of production can be best understood in terms of media globalization, rather than in the more conventional terms of national cinema development. Through an assessment of the history of cinema in British Columbia, the political economy of the North American film industry, provincial film policy and the way films made in British Columbia are located spatially and temporally, it is argued that the British Columbia feature-film industry belongs to a continental media ecology, closely, but not fully, integrated with the transnational commercial cinema based in Hollywood. The thesis concludes with a discussion of changing conceptions of place in a period of globalization, and proposes that British Columbia is particularly well-suited to Doreen Massey's notion of place as 'meeting place' or 'intersection.' Such a sense of place is critical to situating the British Columbia feature-film industry, which has been built upon a complex interface of distinct transnational and regional/local regimes of production
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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