1,721,133 research outputs found
Jessica Voorsanger Meets Gary Cook / Julie Roberts Meets Three Junior Doctors - ACE362.2
No full textExamples of Voorsanger’s work, focusing on her series on actor David Cassidy, from The Partridge Family. Voorsanger (mostly VO) talking about her fascination with "celebrity", the experiences of celebrities, and the experiences of fans. Gary Cook, self-styled "biggest fan" of Blackpool Football Club, at a Blackpool match, and at home, talking about the kinds of art he doesn’t and does like. Match. Voorsanger says she can relate to the hype about the obsessiveness of football fans. Wants to collaborate with the fan for whom she’s making this new work. Blackpool seafront. Voorsanger meets Cook in his house where’s he’s surrounded by football programmes and other memorabilia. The garden. Cook and Voorsanger visit Blackpool football stadium. He tells her about his memory of a game in 1970 (coincidentally the year The Partridge Family first aired) when Blackpool were promoted to the First Division. She describes about the need to align oneself with either the David Cassidy or the Donny Osmond camp when she was at school. Cook at football match, and Voorsanger on the Golden Mile (intercut with part of film of signatures at Graumann’s Chinese Cinema) talking about what he might expect from her work. Voorsanger at tile factory, and talking to Blackpool team about what she’s going to do. Each of them makes an impression of his bare feet (or hands) in a wet clay square, and signs it. On Blackpool beach, Voorsanger shows Cook some of her "more extreme work". A packet of objects for David Cassidy’s Diet; film of a performance of Fanogram, Cook doesn’t think this is "art". Levering up paving stones in Cook’s garden, while he is at a match, and replacing them with the clay squares. Cook is thrilled when sees the new paviours. He realises that she had been teasing him with the other work he saw. Voorsanger with the Blackpool team. The finished work
Jessica Voorsanger Meets Gary Cook / Julie Roberts Meets Three Junior Doctors
No full textExamples of Voorsanger’s work, focusing on her series on actor David Cassidy, from The Partridge Family. Voorsanger (mostly VO) talking about her fascination with "celebrity", the experiences of celebrities, and the experiences of fans. Gary Cook, self-styled "biggest fan" of Blackpool Football Club, at a Blackpool match, and at home, talking about the kinds of art he doesn’t and does like. Match. Voorsanger says she can relate to the hype about the obsessiveness of football fans. Wants to collaborate with the fan for whom she’s making this new work. Blackpool seafront. Voorsanger meets Cook in his house where’s he’s surrounded by football programmes and other memorabilia. The garden. Cook and Voorsanger visit Blackpool football stadium. He tells her about his memory of a game in 1970 (coincidentally the year The Partridge Family first aired) when Blackpool were promoted to the First Division. She describes about the need to align oneself with either the David Cassidy or the Donny Osmond camp when she was at school. Cook at football match, and Voorsanger on the Golden Mile (intercut with part of film of signatures at Graumann’s Chinese Cinema) talking about what he might expect from her work. Voorsanger at tile factory, and talking to Blackpool team about what she’s going to do. Each of them makes an impression of his bare feet (or hands) in a wet clay square, and signs it. On Blackpool beach, Voorsanger shows Cook some of her "more extreme work". A packet of objects for David Cassidy’s Diet; film of a performance of Fanogram, Cook doesn’t think this is "art". Levering up paving stones in Cook’s garden, while he is at a match, and replacing them with the clay squares. Cook is thrilled when sees the new paviours. He realises that she had been teasing him with the other work he saw. Voorsanger with the Blackpool team. The finished work.Roberts’s Crime of Passion (1996), Teenage Suicide (1996), Syringe (1996), and Strait-Jacket, Female (1995). Roberts drawing anatomical exhibits. She talks about her earlier works, such as Gynaecological Couch (1992), and Dentist’s Chair, C.19th (1992). A real gynaecological couch. Colin Begg, Barrie McKillop, and Ien Soun Ly, three junior doctors working in Glasgow, talk about their ideas of art. Roberts on her way to the doctors’ flat. The four meet. She shows them slides of her work, particularly the gynaecological couch picture, and describing the public reaction to it. Roberts takes the doctors round the Pathology Museum, Royal College of Surgeons, Edinburgh and describes her responses to the exhibits. Strait-Jacket, Male (1995), Crime of Passion (1996), Sigmund Freud’s Desk and Chair (1996), Teenage Suicide (1996). Roberts and the doctors at the Glasgow City Police Mortuary. Mortuary Slab (1993). The doctors talk about how they have to react to the death of patients. Roberts working in her studio. She describes some possible subjects for this work including lifesize anatomical models she saw in Vienna and Florence. She describes the different postures of the models, with the males generally intellectualised while the females are usually sexualised, and suggests that it would be good for the doctors to recognise that society treats men and women differently. She works on two different paintings at the same time in order to keep them related to each other. The doctors discuss what they might expect the new work to be. The paintings being delivered and unwrapped. Roberts titles the duo as Anatomical Marriage. The doctors talk about their reactions. Roberts points out that, though the female image comes from a wax model, the painting has started to being it alive. Credits
John Gary Cook: Methodology of A Master Music Educator
No full textThis study provides a historical account of the teaching methodology of John Gary Cook, a master teacher and conductor whose forty-four year career spans all levels of band instruction. Mr. Cook\u27s musical accomplishments have served to make him a regional icon in the Southeastern United States. His work has provided influence and inspiration to a host of band directors. This research explores the life of this exceptional educator and documents many of his personal beliefs and professional applications in five specific areas of band performance. These include: (1) development of characteristic tone quality; (2) development of balance and blend; (3) development of intonation; (4) development of rhythm and ensemble precision; and (5) development of musical artistry
Jessica Voorsanger Meets Gary Cook / Julie Roberts Meets Three Junior Doctors - ACE362.3
No full textRoberts’s Crime of Passion (1996), Teenage Suicide (1996), Syringe (1996), and Strait-Jacket, Female (1995). Roberts drawing anatomical exhibits. She talks about her earlier works, such as Gynaecological Couch (1992), and Dentist’s Chair, C.19th (1992). A real gynaecological couch. Colin Begg, Barrie McKillop, and Ien Soun Ly, three junior doctors working in Glasgow, talk about their ideas of art. Roberts on her way to the doctors’ flat. The four meet. She shows them slides of her work, particularly the gynaecological couch picture, and describing the public reaction to it. Roberts takes the doctors round the Pathology Museum, Royal College of Surgeons, Edinburgh and describes her responses to the exhibits. Strait-Jacket, Male (1995), Crime of Passion (1996), Sigmund Freud’s Desk and Chair (1996), Teenage Suicide (1996). Roberts and the doctors at the Glasgow City Police Mortuary. Mortuary Slab (1993). The doctors talk about how they have to react to the death of patients. Roberts working in her studio. She describes some possible subjects for this work including lifesize anatomical models she saw in Vienna and Florence. She describes the different postures of the models, with the males generally intellectualised while the females are usually sexualised, and suggests that it would be good for the doctors to recognise that society treats men and women differently. She works on two different paintings at the same time in order to keep them related to each other. The doctors discuss what they might expect the new work to be. The paintings being delivered and unwrapped. Roberts titles the duo as Anatomical Marriage. The doctors talk about their reactions. Roberts points out that, though the female image comes from a wax model, the painting has started to being it alive. Credits
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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