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    Rags make paper

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    It's noted as being an a.p. copy.Signed by Richard Bigus and Garner H. Tullis

    Personal Papers (MS 80-0002)

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    Letter from Harris L. Kempner to Garner H. Tullis offering to have dinner with him and his family in honor of Harris and Ruth's anniversary

    Personal Papers (MS 80-0002)

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    Letter from Harris L. Kempner to Garner H. Tullis discussing Dynacolor shares that Harris would like to purchase from Garner's company

    Personal Papers (MS 80-0002)

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    Letter from I. H. Kempner to Garner H. Tullis explaining that Kempner can't attend the E. F. Hutton & Company event due to being told not to travel by both family and physicians but wishing the company and associates well

    Personal Papers (MS 80-0002)

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    Letter from Harris Leon Kempner to Garner H. Tullis thanking him for 2 Windjammer II lighters which he sent for ruth and Kempner and mentions that they're glad to have the

    Garner, H A, NX58417

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/386912Surname: GARNER. Given Name(s) or Initials: H A. Military Service Number or Last Known Location: NX58417. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 16698.208682 Item: [2016.0049.19205] "Garner, H A, NX58417

    Personal Papers (MS 80-0002)

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    Letter from Garner H. Tullis to Harris L. Kempner discussing plans for an upcoming visit

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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