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Columbus' imaginary: A critique of post-colonial identity
No full textThis study examines the construction and negotiation of post-colonial identity in everyday life. Specifically, it addresses the mechanisms and practices by which a community of immigrants to the U.S. from the Indian subcontinent comes to terms with its self-representation(s). The analysis uses ethnography as a mode of theorizing problems of experience and subjectivity in the context of a globalized world. The project is poised at the interstices of critical theory, post-colonial scholarship, and marxist cultural criticism. The overall attempt is to account for the ways in which domains of daily life both constrain and enable the emergence of a particular formation of post-colonial subjecthood within the metropolitan location of the United States. The study thus seeks to intervene in contemporary debates on the status of 'local' discourses (of, for example, identity and experience) in the constitution of global subjectivities. It also proposes that the consolidation of post-colonial identity represents a vexed case in current discussions of the predicament of modernity.Made available in DSpace on 2011-05-07T14:02:14Z (GMT). No. of bitstreams: 2
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Especulaciones sobre una vanguardia del Tercer Mundo
No full textIf there are those who argue that the European avant-gardes of the twentieth century took their leads from sources outside Europe (Brecht and haiku, Picasso and Africa, or Eisenstein and Mexico, for example), the possibility of a ‘Third-World’ avantgarde as such does not find support in Theodor Adorno’s writings on aesthetic theory or, for that matter, in Roberto Schwarz's discussions of aesthetics. But is there a dialectical perspective from which one might argue for the relevance of the avant-garde as an aesthetic and political configuration relevant to the Third World? In the entirely different space of a reading of Hegel, Adorno (1962) in fact gives us the lineaments for such an argument with the figure of skoteinos, or darkness, the unintelligible, obscurity—which it is the task of criticism to eliminate. Schwarz’s important take-up of Adorno’s themes suggestively circle around the “highs and lows” of self-conscious aesthetic experimentation in places like Brazil, though the task of this essay will be to expand Schwarz’s premises in order to think about the role that experimentation plays in returning the avantgarde to its constitutive mission of bringing art back to life, a mission that I suggest is finally discernible only when the ideal of the avantgarde leaves its modernist entailments behind.Si bien hay quienes sostienen que las vanguardias europeas del siglo XX tomaron sus pautas de fuentes ajenas a Europa (Brecht y el haiku, Picasso y África, o Eisenstein y México, por ejemplo), la posibilidad de una vanguardia del "Tercer Mundo" como tal no encuentra apoyo en los escritos de Theodor Adorno sobre teoría estética ni, para el caso, en las discusiones de Roberto Schwarz sobre estética. Pero, ¿existe una perspectiva dialéctica desde la que se pueda defender la relevancia de la vanguardia como configuración estética y política relevante para el Tercer Mundo? En el espacio totalmente distinto de una lectura de Hegel, Adorno (1962) nos da de hecho los lineamientos para tal argumentación con la figura de skoteinos, u oscuridad, lo ininteligible, lo oscuro -que es tarea de la crítica eliminar. La importante asunción de Schwarz de los temas de Adorno gira sugerentemente en torno a los "altos y bajos" de la experimentación estética autoconsciente en lugares como Brasil, aunque la tarea de este ensayo consistirá en ampliar las premisas de Schwarz para pensar en el papel que desempeña la experimentación en el retorno de la vanguardia a su misión constitutiva de devolver la vida al arte, una misión que sugiero que sólo es discernible finalmente cuando el ideal de vanguardia deja atrás sus vinculaciones modernistas
Especulaciones sobre una vanguardia del Tercer Mundo
No full textIf there are those who argue that the European avant-gardes of the twentieth century took their leads from sources outside Europe (Brecht and haiku, Picasso and Africa, or Eisenstein and Mexico, for example), the possibility of a ‘Third-World’ avantgarde as such does not find support in Theodor Adorno’s writings on aesthetic theory or, for that matter, in Roberto Schwarz\u27s discussions of aesthetics. But is there a dialectical perspective from which one might argue for the relevance of the avant-garde as an aesthetic and political configuration relevant to the Third World? In the entirely different space of a reading of Hegel, Adorno (1962) in fact gives us the lineaments for such an argument with the figure of skoteinos, or darkness, the unintelligible, obscurity—which it is the task of criticism to eliminate. Schwarz’s important take-up of Adorno’s themes suggestively circle around the “highs and lows” of self-conscious aesthetic experimentation in places like Brazil, though the task of this essay will be to expand Schwarz’s premises in order to think about the role that experimentation plays in returning the avantgarde to its constitutive mission of bringing art back to life, a mission that I suggest is finally discernible only when the ideal of the avantgarde leaves its modernist entailments behind.Si bien hay quienes sostienen que las vanguardias europeas del siglo XX tomaron sus pautas de fuentes ajenas a Europa (Brecht y el haiku, Picasso y África, o Eisenstein y México, por ejemplo), la posibilidad de una vanguardia del "Tercer Mundo" como tal no encuentra apoyo en los escritos de Theodor Adorno sobre teoría estética ni, para el caso, en las discusiones de Roberto Schwarz sobre estética. Pero, ¿existe una perspectiva dialéctica desde la que se pueda defender la relevancia de la vanguardia como configuración estética y política relevante para el Tercer Mundo? En el espacio totalmente distinto de una lectura de Hegel, Adorno (1962) nos da de hecho los lineamientos para tal argumentación con la figura de skoteinos, u oscuridad, lo ininteligible, lo oscuro -que es tarea de la crítica eliminar. La importante asunción de Schwarz de los temas de Adorno gira sugerentemente en torno a los "altos y bajos" de la experimentación estética autoconsciente en lugares como Brasil, aunque la tarea de este ensayo consistirá en ampliar las premisas de Schwarz para pensar en el papel que desempeña la experimentación en el retorno de la vanguardia a su misión constitutiva de devolver la vida al arte, una misión que sugiero que sólo es discernible finalmente cuando el ideal de vanguardia deja atrás sus vinculaciones modernistas
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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