16,889 research outputs found
Stampa cattolica in Alto Adige tra fascismo e nazismo. La casa editrice Vogelweider-Athesia e il ruolo del canonico Gamper (1933-1939)
No full textIn un contesto internazionale segnato dall'avvento al potere in Germania di Hitler e dal richiamo esercitato sulle minoranze tedesche all'estero dalla parola d'ordine nazionalsocialista del 'ritorno al Reich', la situazione nella provincia di confine di Bolzano venne in breve destabilizzata da un'insidiosa propaganda, che insinuava nella minoranza allogena la speranza in una prossima liberazione dalla dominazione italiana e fascista. Il regime fascista reagì, puntando a trasformare il profilo etnico ed economico della regione, attraverso l'immigrazione di massa di italiani dalle altre province, richiamati dall'insediamento di nuove industrie. In questo quadro si collocano le vicende della casa editrice Vogelweider-Athesia e della sua guida, il canonico Gamper. Il contrasto già esistente tra la stampa cattolica, vessillifera del carattere tedesco della regione, e le autorità fasciste, impegnate a riorientare verso l'Italia la vita locale, si complicò per l'appoggio, che la Germania hitleriana riscuoteva tra le fila del clero, di cui il canonico Gamper era influente esponente.When Hitler came to power in the 1930s, German minorities living in Europe were influenced by the Nazi slogan 'back to the Reich'. The lure of this propaganda reached Alto Adige too, where it aroused hopes of freedom from Italian rule in the German speaking majority. The response of the Fascist regime was to encourage Italians to settle and build industries in the region so transforming its ethnic and economic profile. A contrast between the Catholic press - flagship of the German character of former South Tyrol - and Fascist authorities - engaged in directing local life towards Italy already existed. Support for Hitler’s Germany from the ranks of the local clergy complicated the situation. In this context the vicissitudes of the most important local publishing house Vogelweider and its guide Canon Gamper, an influential member of the local clergy receive special attention. The book draws upon a wealth of material, much of which is unpublished, from Italian as well as Vatican Secret Archives
INTRODUCTION FEDERALISM, LOCAL GOVERNMENT AND POLICY-MAKING
No full textIntroduction to a special issue on federalism and local governmen
Regionale Verwaltungsgerichtsbarkeit in Italien
No full textAnalisi degli effetti della costituzione di una giurisdizione amministrativa decentrata, con sedi periferiche, rispetto all'assetto complessivo della giurisdizione amministrativa e, in particolare, rispetto all'ampiezza del sindacato del giudice amministrativo. Relazione presentata all'Università di Innsbruck il 16 novembre 201
"Beyond the Wall": Game of Thrones aus interdisziplinärer Perspektive / von Gamper, Anna / Vom Tyrann(inn)enmord zur Sezession des Nordens: die Allgemeine Staatslehre in Game of Thrones
No full textDie Allgemeine Staatslehre und die Kultserie Game of Thrones verbindet mehr, als man von einer altehrwürdigen Wissenschaft annehmen würde, auch wenn es für Fiktionales in der Staatstheorie – von „Politeia“ bis Thomas Hobbesʼ „Leviathan“– längst prominente Beispiele gibt. Bei genauerem Hinsehen entpuppen sich jedoch verschiedene maßgebliche Themen, Handlungsabläufe und auch das Finale der komplexen Serie als eine Reihe illustrativer Lehrbeispiele darüber, wie staatliche Ordnungen entstehen und zerfallen, Staatsformen sich wandeln und welche Auswirkungen das Fehlen einer „geschriebenen“ Verfassung hat. Vor dem Hintergrund aktueller Sezessionsbestrebungen in Europa und weltweit erhebt sich etwa die Frage, ob sich die Sezession des Nordens als legitimer Versuch, das äußere Selbstbestimmungsrecht eines unterdrückten Volks zu verwirklichen, deuten lässt. Ist das tragische Ende von Daenerys Targaryen ein legitimer Tyranninnenmord, nachdem ihr Widerstand gegen Sklaverei und das Regime einer anderen Tyrannin in einen Gewaltexzess gemündet hatte, der, verbunden mit ihrem Anspruch auf Weltherrschaft, alles andere als Freiheit und Grundrechte erwarten ließ? Und wird Westeros am Ende zu einer Demokratie, bloß weil – statt der bisherigen Erbmonarchie – eine Wahlversammlung den neuen König bestimmt? Diesen und anderen ausgewählten Problemstellungen geht der Beitrag nach und bemisst diese an den staatstheoretischen Erkenntnissen der Gegenwart
An Article About Albertus C. Van Raalte, Author Unknown, Except for Parts Taken from an Article by Anna C. Post
No full textAn article about Albertus C. Van Raalte, author unknown, except for parts taken from an article by Anna C. Post. The author knew first generation persons in the Holland settlement and therefore, the article has some value.https://digitalcommons.hope.edu/vrp_1890s/1012/thumbnail.jp
Wahlgesetz und Regierungsform in Italien. Gleichzeitig ein Beitrag zur Rechtsquellenlehre [= Legge elettorale, forma di governo e fonti del diritto. Note introduttive e riassuntive sulle ragioni per le quali la legge elettorale, in Italia, non può essere considerata alla stregua di una «qualsiasi» legge ordinaria]
No full textThe paper (unpublished, original, at invitation of the Editor and accepted by the Scientific Committee) considers the Italian electoral law, analyzing the connections with topics such as the "form of Government ", the " top governing Bodies" and some of their functions and the system of "sources of law", particularly with regard to as expected, expressly or implicitly, by the Constitution. The attempt is to demonstrate the reasons why, despite the fact that the electoral law is formally adopted by an Act of Parliament (apparently has, therefore, a force equivalent to that of a 'normal' ordinary law) it actually has, by virtue of the 'role' that ends up occupying by a character of "extraordinary" that contrasts with the 'ordinary', in fact, that the law requires and that only, ends explaining many of the events that accompany the approval (or attempts to approval) of any electoral law or modifications thereof
Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Selection of work by Anna Gerber
No full textVarious journals and magazines Anna Gerber has contributed to. Anna Gerber is a graphic designer and writer based in London.
She is the author and designer of All Messed Up: Unpredictable Graphics (Laurence King, 2004) and co-editor and co-designer
of Influences: A Lexicon of Contemporary Graphic Design (Die Gestalten Verlag, 2006) with Anja Lutz. She writes regularily for magazines such as Print, Eye, Creative Review, Varoom and Idea Magazine and her work has also been published in shift!, dot dot dot and +rosebud.
She teaches at the London College of Communication on the BA Graphic Design and MA Design Writing Criticism programmes. She has also held workshops and lectures across the U.K. (including Tate Modern and the V&A Museum), as well as in India, the U.S., Australia and Malaysia.
Anna Gerber is currently engaged in research and developing projects relating to sustainability and how it applies to graphic
design as well as exploring contemporary graphic design in India
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