1,724,665 research outputs found
Il Versum de Mediolano civitate e le origini di re Liutprando : una proposta di lettura
Full text linkThis essay engages with the earliest medieval urban panegyric (or laus civitatis) in Italy, the Versum de Mediolano civitate (739). Thanks to a fresh approach, which lies at the intersection between linguistics and history, Gamberini provides a reappraisal of the crucial passage in which the anonymous author hints at the link between the Lombard king Liutprand and the city of Milan. In so doing Gamberini unveils one of the Versum’s ultimate goals: to portray Milan’s greatness on the grounds of Liutprand’s Milanese origins
The language of politics and the process of state-building: approaches and interpretations
No full textIntroduction The theme of ‘political languages’ is not only one of those most frequently discussed in recent historiography, but is also probably among the most difficult to outline, since it appears to include so much. Understood as a system for conveying political content, as a code of communication of which social actors know the rules, the meanings, the potential to generate new realities, such language can indeed be verbal, but also figurative, musical or ritual. Nor can there be any doubt that each of these forms was used during the early Renaissance to express ideals, to create consensus, to delimit membership, to establish hierarchies, to produce legitimacy, to shape identity and to define the contents of a new sense of the state. In reality not all these codes were accessible to the same degree to all social actors; some seem in fact to have circulated among quite restricted groups, as in the case of some musical expressions of political language. Think of the music of courts: with texts in Latin or French and generally requiring complex groups of musicians, these musical expressions of ideas constituted a form of communication better adapted to horizontal and vertical circulation, among members of an elite (the only ones able to grasp the message conveyed by the complex relation between the musical and vocal elements) rather than among the many components of political society. Other sorts of music would be open to wider comprehension, in particular, sonorities understood by all and associated with a specific political message (as in the case of the sound of bells, which in late medieval cities and in the countryside were used to summon heads of families to communal assemblies or to call men to arms)
Gamberini (illustrateur non-identifié 18..-19..) : signature “Gamber” [1886]
No full textGamberini (illustrateur non-identifié 18..-19..) : signature “Gamber” [1887] ; signature sur la partition “Coup d’ouble” (Lucien Delormel / Ouvrard / Ondet GO9, 1887, titre inconnu BNF). La relation Gamber/Gamberini est affirmée par Adhémar & Lethève dans “Inventaire du fonds français après 1800, tome 8 Follet-Gavarni” (Bibliothèque nationale, Département des estampes, 1954, p.351), qui signalent des dessins dans des journaux (1891-1892) mais ne fournissent aucune autre information biographique sur l’artiste et sur son œuvre [ark:/12148/bpt6k5489221t]. Le Dico Solo (2004) reprend ces informations sans modifications ou ajouts. Au 02/06/2017, la BNF propose une notice d’autorité “Gamber” dans le catalogue BNF (ark:/12148/cb16355120n, création 12/11/15), sans informations, autorité à laquelle est attachée une notice (musique imprimée, éd. Georges Ondet, 1887)
Luigi Gamberini, violín (Italia) y Marcello Guerrino, piano (Italia)
No full textConcierto celebrado por el violinista Luigi Gamberini y Marcello Guerrini, en esta ocasión interpretaron obras de Leclair, Beethoven, Prokofiev y Ravel
Gamberini (illustrateur non-identifié 18..-19..) : signature “Gamber” [1886]
No full textGamberini (illustrateur non-identifié 18..-19..) : signature “Gamber” [1887] ; signature sur la partition “Coup d’ouble” (Lucien Delormel / Ouvrard / Ondet GO9, 1887, titre inconnu BNF). La relation Gamber/Gamberini est affirmée par Adhémar & Lethève dans “Inventaire du fonds français après 1800, tome 8 Follet-Gavarni” (Bibliothèque nationale, Département des estampes, 1954, p.351), qui signalent des dessins dans des journaux (1891-1892) mais ne fournissent aucune autre information biographique sur l’artiste et sur son œuvre [ark:/12148/bpt6k5489221t]. Le Dico Solo (2004) reprend ces informations sans modifications ou ajouts. Au 02/06/2017, la BNF propose une notice d’autorité “Gamber” dans le catalogue BNF (ark:/12148/cb16355120n, création 12/11/15), sans informations, autorité à laquelle est attachée une notice (musique imprimée, éd. Georges Ondet, 1887)
Il Versum de Mediolano civitate e le origini di re Liutprando. Una proposta di lettura
Full text linkThis essay engages with the earliest medieval urban panegyric (or laus civitatis) in Italy, the Versum de Mediolano civitate (739). Thanks to a fresh approach, which lies at the intersection between linguistics and history, Gamberini provides a reappraisal of the crucial passage in which the anonymous author hints at the link between the Lombard king Liutprand and the city of Milan. In so doing Gamberini unveils one of the Versum’s ultimate goals: to portray Milan’s greatness on the grounds of Liutprand’s Milanese origins.
Keywords: Panegirico, Longobardi, Milano, Alto medioevo, Liutprando Panegyric, Lombards, Milan, Early Middle Ages, Liutpran
Un condottiero alla conquista dello stato. Ottobuono Terzi, conte di Reggio e signore di Parma e Piacenza
No full text- …
