1,721,002 research outputs found
Navigating Textual Space in Print and Digital Interfaces: A Study of the Material and Cognitive Dimensions of Reading Systems
No full textThis research examines situated behaviours and perceptions around textual navigation as it is practiced in situ by professionals working in various domains. In its investigation of interactions between human cognition and mediating artifacts, this research relies heavily on the resources of cognitive ethnography, including both observation and in-depth interviews with participants. Relevant contributions from the fields of information studies, book history, digital humanities, and human-computer interaction are presented to further elucidate the findings of this study. The findings reveal several emergent, interrelated navigational strategies, such as the use of annotations as navigational aids, reliance on automated interface actions, and the navigational value of interface metaphors. In further addressing the practice of textual navigation, this research also describes the creation of a prototype interface reflecting the study’s findings. This research proposes new ways of conceptualizing textual navigation and designing interfaces that support emergent textual interaction.MAS
Thresholds of Engagement: Integrating Image-based Digital Resources into Textual Scholarship
Get PDFIn recent years, technological advances in creating, storing, and accessing digital facsimiles of print and manuscript documents has resulted in an explosion of digitization initiatives. While such initiatives commonly endorse the viewpoint that digital facsimiles either replace or successfully stand in for their physical originals, textual scholars, whose principle interest is in the text as material artifact, do not share this perspective. Thresholds of Engagement explores the ways textual scholars engage with textual artifacts, tests the limits of representation of digital facsimiles and of the interfaces that house them, and proposes a model for the relationship between physical texts and their digital counterparts that privileges the requirements of textual scholars. The digital-facsimile interface proposed in this study is designed to facilitate methods described by textual scholars in interview—methods of comparison, material analysis, pattern recognition, and modelling—using an open-source web-based approach that is accessible for individuals to innovate and build upon.MAS
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Long Ago There was a Book: Exploring the Digital Sagabon Ise Monogatari through Analytical Bibliography
No full textThis masters thesis uses bibliographical analysis to explore digital copies of the Sagabon Ise Monogatari. The digital copies are analysed both as facsimiles for the books they were created from and as digital objects in their own right. Through a combination of description, page collation, and type collation, I explore the origins of the physical and digital artifacts which comprise the Sagabon printings. Wooden movable type, early Japanese printing, Edo period aesthetics, and print variations are all examined. Upon completion of the typographical analysis, I undertake the printing and binding of a physical facsimile from the digital image files. This act of making explores the allowances and constraints digital objects and their metadata have on users and illustrates how making serves as a powerful tool for deepening bibliographic understanding of a book, be it digital or physical.M.I.S
Navigating Textual Space in Print and Digital Interfaces: A Study of the Material and Cognitive Dimensions of Reading Systems
Get PDFThis research examines situated behaviours and perceptions around textual navigation as it is practiced in situ by professionals working in various domains. In its investigation of interactions between human cognition and mediating artifacts, this research relies heavily on the resources of cognitive ethnography, including both observation and in-depth interviews with participants. Relevant contributions from the fields of information studies, book history, digital humanities, and human-computer interaction are presented to further elucidate the findings of this study. The findings reveal several emergent, interrelated navigational strategies, such as the use of annotations as navigational aids, reliance on automated interface actions, and the navigational value of interface metaphors. In further addressing the practice of textual navigation, this research also describes the creation of a prototype interface reflecting the study’s findings. This research proposes new ways of conceptualizing textual navigation and designing interfaces that support emergent textual interaction.MAS
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Long Ago There was a Book: Exploring the Digital Sagabon Ise Monogatari through Analytical Bibliography
Get PDFThis masters thesis uses bibliographical analysis to explore digital copies of the Sagabon Ise Monogatari. The digital copies are analysed both as facsimiles for the books they were created from and as digital objects in their own right. Through a combination of description, page collation, and type collation, I explore the origins of the physical and digital artifacts which comprise the Sagabon printings. Wooden movable type, early Japanese printing, Edo period aesthetics, and print variations are all examined. Upon completion of the typographical analysis, I undertake the printing and binding of a physical facsimile from the digital image files. This act of making explores the allowances and constraints digital objects and their metadata have on users and illustrates how making serves as a powerful tool for deepening bibliographic understanding of a book, be it digital or physical.M.I.S
A Gentlewoman's Profession: The Emergence of Feminized Publishing at Richard Bentley and Son, 1858-1898
Get PDFPublishing has evolved into a feminized profession, with women filling approximately 84 percent of positions under the managerial level. Well into the twentieth century, however, it was men publishers, booksellers and librarians who dominated the book trade. Histories of the publishing industry have not explored this gendered shift in depth. Using the London-based firm of Richard Bentley and Son (1829-1898) as a site of investigation, this dissertation considers the gender identity of publishing processes, organizations, and labour through the history of the firm’s women publisher’s readers. Drawing primarily on archival materials, I explore how the women publisher’s readers gained power and influence over the publishing process and used their positions as gatekeepers to challenge traditional gender ideology.
This shift in the gendering of publishing and print materials at Bentley and Son reflects changes within the broader industry, and the evolution of gender ideology within the nineteenth-century social, cultural, political and legal landscapes. Beyond attending to a gap in historical scholarship, this exploration of the feminization of the publishing industry illuminates how gender ideology has shaped women’s entrance into, and movement within, professional environments, and provides a framework for analyzing print production through a gendered lens.
Chapter one examines how women publishing workers have been constructed and represented within scholarship and popular culture. In chapter two, Bentley and Son’s organizational structure is analyzed to highlight women’s labour and demonstrate the impact of gender on the circuit of literary production. Women’s professionalization within the firm and the industrialization of publishing is considered in tandem in chapter three. Chapters four and five explore how women’s entrance into publishing has impacted the nature of print. Microanalyses of individual titles’ publication histories show how Bentley and Son’s women publisher’s readers perpetuated the values and ideologies of the Victorian women’s movement through the publication of print materials that supported women’s empowerment. A macroanalysis of the firm’s publishing lists further showcases the feminization of the firm, revealing an increase in fiction titles for women in gender-progressive genres, and the publication of women-oriented works in previously masculinized non-fiction categories.Ph.D.2021-07-21 00:00:0
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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