1,720,983 research outputs found
Lo schermo e la casa. Sulla visualità straniata delle scritture di ricerca contemporanee
No full textLe “scritture di ricerca” italiane, intrinsecamente ibride, intermediali e transgeneriche, collocate fra prosa in prosa e post-poesia (Gleize 1992, 2009), sembrano aver attestato un insieme di fenomeni di contaminazione fra scrittura letteraria e pratiche visuali che hanno condotto all’implementazione all’interno della pagina cartacea di forme, stilemi e pratiche di fruizione tipiche dei supporti visivi, alternativamente digitali o analogici (Cometa 2012, Giovannetti 2017). Due fra le principali modalità attraverso cui avviene questa rimediazione (Bolter-Grusin 1999) potrebbero essere sintetizzate dalle metafore concettuali (Lakoff-Johnson 1980) dello schermo e della casa.
Lo schermo in quanto esperienza percettiva nonché soglia semi-materiale che consente l’accesso al cyberspazio è un oggetto piatto, bidimensionale, potenzialmente aperto a innumerevoli possibilità di navigazione ma, a ben
vedere, fondato sull’iterazione parossistica di unità discrete (il codice binario) e sulla presentazione ininterrotta di contenuti ospitati da piattaforme semioticamente predeterminate – si pensi all’inquietante parallelismo fra le le
vetrine dei negozi allestite dalle strategie di marketing e la sovraesposizione sociale operata sul web, parte del medesimo continuum sinestetico che è il display tardocapitalistico (Codeluppi 2007). La casa, d’altro canto, concepita da principio come luogo del familiare e del rifugio, Heimat che consente il radicamento psico-fisico e sociale dei soggetti, in anni recenti non soltanto tende a vacillare come istituzione (Didino 2020), ma lascia emergere al suo interno la costante minaccia dell’unheimlich e dell’unhomely (Fisher 2018), fino a trasformarsi essa stessa in un luogo di trauma e alienazione (Lauzon 2016). Se gli interni di un appartamento si sono fatti spazio installativo tridimensionale già in opere come quelle di Ilya Kabakov o di Kurt Schwitters, le solitudini iperconnesse che vi abitano sono invece un prodotto inedito dell’era digitale
Instagram Flash Fiction: narrazione breve, visualità e social network
No full textScopo del contributo è quello di indagare le cosiddette "flash fictions", racconti brevissimi pubblicati sui social network. Scopo del contributo è quello di indagare in che modo queste narrazioni si rapportino,
da un punto di vista principalmente teorico, sia alla short story
che alla microletteratura contemporanea, mettendole alla prova del concetto di "spazio mediale" e analizzandone anche il portato intermediale
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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