173 research outputs found
Formation of a Roman Public Opinion by Octavian (from Ilyrian Campaign to Actium)
No full textThe article discusses the means and methods that Octavian used to form the public opinion of the Romans in the period 34–32 BC. The author notes their diversity and intensive use in political propaganda, but their effectiveness should not be exaggerated. Only patriotic slogans made Octavian the true leader of the Roman Republic. Octavian`s political talent was that he managed to capture and use Romans moods in his interests
Maillages administratifs officiels et identités territoriales officieuses : les échelons spatiaux de la différenciation identitaire en Roumanie
No full textOctavian Groza starts from the idea that simply by virtue of being at work, structures of territorial control can reduce territorial identity to mere identity discourses, which gain in importance what they lose in meaning. Arguing that such processes are at work today in Romania on the regional and departmental levels, the author underlines some mechanisms tending to dissolve territorial identities into identity discourses, which are then reduced to transient and preconceived territorial forms. According to the author, the idea of European identity is also caught in this meaning-destroying process
The Romanian Sentiment of Being
Full text linkThe link between language and thought formed a major new exploration of twentieth-century philosophy. Languages nuance our ideas and perceptions. Though from various angles, Heidegger, Derrida, Wittgenstein forged new ways of understanding the relationship between our views of the external world and our culturally and linguistically pre-determined modes of expression.
Another giant in this field of exploration is the Romanian philosopher Constantin Noica (1909–1987), who has so far remained generally unknown to the Western World because of the Iron Curtain. The Romanian Sentiment of Being (Sentimentul românesc al ființei), first published in Romanian in 1978, is a philosophical work at the intersection of metaphysics and philosophy of language. The title of this book may be deceptive. “Romanian” does not mean ethnically circumscribed; it does not limit ontology to nationality but rather reflects on how language can carry ontological thought.
The Romanian Sentiment of Being invites the readers to meditate on the fundamental theme of being and how it is expressed in a culture in time. This being in time marks the tension between moment and eternity, captured in the fairytale ""Ageless Youth and Deathless Life"" (""Tinerețe fără batrânețe și viață fără de moarte""), which Noica interprets in detail. The translation of the story will be found in the appendix. Noica also analyzes one of the most famous poems in Romanian, Mihai Eminescu’s ""The Evening Star"" (""Luceafărul""), and readers will find its translation in the appendix
The Romanian Sentiment of Being
Full text linkThe link between language and thought formed a major new exploration of twentieth-century philosophy. Languages nuance our ideas and perceptions. Though from various angles, Heidegger, Derrida, Wittgenstein forged new ways of understanding the relationship between our views of the external world and our culturally and linguistically pre-determined modes of expression.
Another giant in this field of exploration is the Romanian philosopher Constantin Noica (1909–1987), who has so far remained generally unknown to the Western World because of the Iron Curtain. The Romanian Sentiment of Being (Sentimentul românesc al ființei), first published in Romanian in 1978, is a philosophical work at the intersection of metaphysics and philosophy of language. The title of this book may be deceptive. “Romanian” does not mean ethnically circumscribed; it does not limit ontology to nationality but rather reflects on how language can carry ontological thought.
The Romanian Sentiment of Being invites the readers to meditate on the fundamental theme of being and how it is expressed in a culture in time. This being in time marks the tension between moment and eternity, captured in the fairytale ""Ageless Youth and Deathless Life"" (""Tinerețe fără batrânețe și viață fără de moarte""), which Noica interprets in detail. The translation of the story will be found in the appendix. Noica also analyzes one of the most famous poems in Romanian, Mihai Eminescu’s ""The Evening Star"" (""Luceafărul""), and readers will find its translation in the appendix
Pray for Brother Alexander
Full text linkConstantin Noica’s (1909–1987) Pray for Brother Alexander is a meditation on responsibility, freedom, and forgiveness. On the surface, the book describes events and people from Noica’s life during his time in a political communist prison in Romania. However, the volume is not a historical account only, but rather an honest introspection into how a human being may keep sanity when everything around him makes no sense. Unlike his famous Romanian contemporaries, scholar Mircea Eliade, dramatist Eugène Ionescu, and philosopher Emil Cioran, who lived abroad, Constantin Noica did not leave communist Romania. Considered an “anti-revolutionary” thinker, Noica was placed under house arrest in Câmpulung-Muscel between 1949 and 1958. In 1958, he was sentenced to 25 years in prison. He was released after 6 years, and Pray for Brother Alexander covers his experiences during this time. In his writings, Noica rekindles universal themes of philosophy, but he deals with them in a profoundly original manner, based on the culture in which he lived and for which he also suffered persecution. The volume will be of great of interest to scholars and students in history of philosophy and continental philosophy, but also to people interested in the recent history of Eastern Europe and the political persecution that took place after WWII in those countries
Pray for Brother Alexander
Full text linkConstantin Noica’s (1909–1987) Pray for Brother Alexander is a meditation on responsibility, freedom, and forgiveness. On the surface, the book describes events and people from Noica’s life during his time in a political communist prison in Romania. However, the volume is not a historical account only, but rather an honest introspection into how a human being may keep sanity when everything around him makes no sense. Unlike his famous Romanian contemporaries, scholar Mircea Eliade, dramatist Eugène Ionescu, and philosopher Emil Cioran, who lived abroad, Constantin Noica did not leave communist Romania. Considered an “anti-revolutionary” thinker, Noica was placed under house arrest in Câmpulung-Muscel between 1949 and 1958. In 1958, he was sentenced to 25 years in prison. He was released after 6 years, and Pray for Brother Alexander covers his experiences during this time. In his writings, Noica rekindles universal themes of philosophy, but he deals with them in a profoundly original manner, based on the culture in which he lived and for which he also suffered persecution. The volume will be of great of interest to scholars and students in history of philosophy and continental philosophy, but also to people interested in the recent history of Eastern Europe and the political persecution that took place after WWII in those countries
ONCE AGAIN TO THE QUESTION OF OCTAVIAN AUGUSTUS’ PRINCIPATE
No full textIn the article on the basis of scientific publications of Russian and foreign scientists, as well as information of ancient authors, there is the analysis of little-studied problems of the formation of Roman caesarism not only from formal legal, but also socio-economic and political points of view which objectively influenced the transformation of the Republican system in Rome. The author tries to resolve the question whether Octavian desired power for his personal elevation, and the formation for this the monarchical form of government, as many researchers believe, or his purpose was the development of the Republican system which was adequate to the challenges of time? Were the powers of August different from powers of other Roman magistrates? The article proposes a new vision of the purposes and tasks of the propaganda war between Antony and Octavian, as well as the peculiarities of Augustus acquisition of prestige, authority and powers of the tribune and consul, which became the basis of his Imperial power
Cosma, Octavian Lazár: The Romanian Music Chronicle vol. I (1973) - vol. IX (1991) [Rezension]
Full text linkThe nine volumes of the "Romanian Music Chronicle", printed by the Music Publishing Hause, Bucharest, in 20 years (1973-1991) are the fruit of an extremely elaborated investigation, that broke all the walls that tried to hide this real patrimony of spirituality. The author, Octavian Lazar Cosma, shouldered the responsibility of a difficult cultural mission to establish the main points of the Romanian music evolution during these two millennia
To be a ‘Fleschhewere’: Beheading, Butcher-Knights, and Blood-Taboos in Octavian Imperator
No full textThis article argues that the author of the fourteenth-century Middle English romance Octavian Imperator rewrites the beheading motif frequently found in literature, especially in medieval romance. More specifically, it demonstrates how the poet resignifies the giant’s severed head as an emblem not of the untested knight but, instead, of a lowly butcher, and reveals how, through semantic links and parallel descriptions of physical traits and behavioral characteristics, the narrative ties the butcher to non-Christian “Others” such as Saracens and Jews, and aligns all three groups with the figure of the knight, revealing the narrative’s engagement with larger thematic concerns of racial, ethnic, and class differences.</p
Dialogical Writing in Philosophy and Literature. A Study on Plato's Crito and Gorgias and Peacock's Nightmare Abbey
No full textBoth Thomas Love Peacock and Plato use dialogue for their works while they differ in what they envisage and what they achieve, i.e. same form, different objectives. Thus, having Peacock and Plato writing dialogues in different frames - one literary and one philosophical - raises an important question: can literary writers be more provocative of thought in the audience than writers of philosophical dialogues? If so, what then are the features of dialogical writing, whether literary or philosophical, or common features that pertain to both these fields, that cause it to be respectful or nurturing to the minds that encounter it?
This question will underlie the whole paper. It actually comes from the fact that in dialogue, whether deployed in philosophical or literary texts, we do not see the author's opinion clearly expressed. In dialogue, and this is often true for Plato, the author's dogma loses itself under the various dogmas that the characters have; the author hides himself behind his personages. The readers do not encounter only one mind that has claims of revealing a truth - the philosophical approach - or that lays out a story - the literary one. In dialogue, the reader finds an ongoing discussion and becomes part of it. Through the analysis of two of Plato's dialogues, the Crito and the Gorgias, and Peacock's satirical novel, Nightmare Abbey, I intend to show that, used in philosophy or literature, dialogue seems to be the perfect tool to communicate the idea that once expressed becomes its negative: the only thing that we know is that we do not know anything.Master of Art
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