1,721,450 research outputs found
Fotografía UDBC032259
No full textFotografía del ejemplar Gonzales, R. 457, determinado como Elaphoglossum sp
Fotografía UDBC032260
No full textFotografía del ejemplar Gonzales, R. 489, determinado como Polygonum nepalense en el año 202
Fotografía UDBC030800
No full textFotografía del ejemplar Gonzales, R. 379, determinado como Alloispermum caracasanum en el año 201
Fotografía UDBC028522
No full textFotografía del ejemplar Gonzales, R. 1022, determinado como Monochaetum myrtoideum en el año 201
Fotografía UDBC031899
No full textFotografía del ejemplar Gonzales, R. 527, determinado como Aloysia citriodora en el año 201
Fotografía UDBC030796
No full textFotografía del ejemplar Gonzales, R. 554, determinado como Artemisia absinthium en el año 201
Fotografía UDBC030798
No full textFotografía del ejemplar Gonzales, R. 394, determinado como Ageratina gracilis en el año 202
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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