1,721,263 research outputs found

    Giusti, C.

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    Giusti, C[arlo] V[incenzo] an Herman Grimm (2 Briefe)

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    GIUSTI, C[ARLO] V[INCENZO] AN HERMAN GRIMM (2 BRIEFE) Giusti, C[arlo] V[incenzo] an Herman Grimm (2 Briefe) (Br1446) Brief 1446 (Br1446) Brief 1447 (Br1447

    Methodological proposal for the assessment of the scientific quality of geomorphosites

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    The method proposed has been elaborated for assessing the Scientific Quality of Geomorphosites. This method is quantitative, but a series of qualitative guide lines has been elaborated, in order to give a support for the attribution of values. Scientific quality is calculated considering a series of parameters: expert’s knowledge (educational value and research value); areal extent; rarity; degree of conservation; exposure and an added value (related to the importance that the asset has for non-geomorphological aspects that nevertheless can increase its scientific value). Afterwards, each parameter had to be weighted. This methodology could become a useful tool for optimizing decisional processes within the framework of Territorial Planning, Environmental Impact Assessment and Protection of the Natural Heritage

    Neutral current neutrino-nucleus scattering: Theory

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    The treatment of nuclear effects in neutrino-nucleus interactions is one of the main sources of systematic uncertainty for the analysis and interpretation of data of neutrino oscillation experiments. Neutrinos interact with nuclei via charged or neutral currents and both cases must be studied to obtain a complete information. We give an overview of the theoretical work that has been done to describe nuclear effects in neutral-current neutrino-nucleus scattering in the kinematic region ranging between beam energies of a few hundreds MeV to a few GeV, which is typical of most ongoing and future accelerator-based neutrino experiments, and where quasielastic scattering is the main interaction mechanism. We review the current status and challenges of the theoretical models, the role and relevance of the contributions of different nuclear effects, and the present status of the comparison between the numerical predictions of the models as well as the available experimental data. We discuss also the sensitivity to the strange form factors of the nucleon and the methods and observables that can allow one to obtain evidence for a possible strange quark contribution from measurements of neutrino and antineutrino-nucleus scattering

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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