1,720,982 research outputs found

    CULEX - Completely User-independent Layers EXtraction: Ultrasonic carotid artery images segmentation

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    The analysis of the carotid wall is of paramount importance in clinical practice. In fact, the intima-media thickness is a risk index for some of the most severe acute cerebrovascular pathologies; hence, the need for an accurate segmentation of the different layers of the carotid artery. In the past ten years, a wide variety of algorithms for the carotid tunica segmentation have been proposed, but they require a certain degree of user interaction. In this paper we propose a novel approach to the completely user-independent segmentation of the carotid artery wall. Our algorithm has been designed for the extraction of the intima and media layers of the distal carotid wall, based on ultrasonic B-mode images. We evaluated the performance of the algorithm on a set of 63 images and compared the automatic segmentation to that traced by a trained operator. We obtained a mean error lower than 1.3 pixel both on the intima and media layers, which is comparable to that obtained by means of operator dependent technique

    User-independent plaque characterization and accurate IMT measurement of carotid artery wall using ultrasound

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    Non-invasive plaque characterization of the carotid wall is crucial for the early assessment of pathology, as well as for the monitoring of the progression of a degenerative phenomenon. Specifically, in clinical practice the carotid wall status is assessed by means of B-Mode ultrasound scans. We recently implemented an algorithm for the segmentation of the common tract of the carotid wall using ultrasound relative to healthy subjects. This paper presents a superior strategy for plaque characterization, which accurately determines both echolucent-type II and echogenic plaques in pathologic subjects. We preserve both user-independence and pixel fuzziness in our approach, thereby designing an accurate intima-media thickness (IMT). Our database consists of 20 subjects comprising of normal, stable (echogenic) and unstable (echolucent) plaques. In this database of 45 images, we demonstrate our performance with respect to the gold standard tracings to an accuracy determined as normalized error to be about 8%. The results are very promising and this algorithm is being integrated into clinical setup for automatic pathologic carotid wall analysi

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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