1,720,962 research outputs found
New developments in ground probing radar: the possibility of reconstructing a holographic image of underground reflectivity
During the last decade GPR has developed rapidly: instruments have become more compact and more digital, the field of application has broadened from non-destructive testing to humanitarian demining. Studies have been carried out to analyse the full information content of the backscattered wavefield trying to go beyond the time and amplitude analysis. In recent years, many researchers have focused on the possibility of applying holographic acquisition and processing to GPR data. This paper proposes a theoretical outline of a holographic acquisition and processing techniques; a block diagram of the proposed holographic radar; the outlines of the design and the realisation of a custom-built full-scale test-site and the results of the first simulations carried out with newly developed software. The basic rules for an optimum choice of the main acquisition parameters are also given together with a discussion of the main advantages and disadvantages of the proposed techniques
New developments in ground probing radar: the possibility of reconstructing a holographic image of underground reflectivity
During the last decade GPR has developed rapidly: instruments have become more compact and more digital, the field of application has broadened from non-destructive testing to humanitarian demining. Studies have been carried out to analyse the full information content of the backscattered wavefield trying to go beyond the time and amplitude analysis. In recent years, many researchers have focused on the possibility of applying holographic acquisition and processing to GPR data. This paper proposes a theoretical outline of a holographic acquisition and processing techniques; a block diagram of the proposed holographic radar; the outlines of the design and the realisation of a custom-built full-scale test-site and the results of the first simulations carried out with newly developed software. The basic rules for an optimum choice of the main acquisition parameters are also given together with a discussion of the main advantages and disadvantages of the proposed techniques.JCR Journalope
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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