1,721,011 research outputs found
"La hermosa Alfreda", in IX Parte de las Comedias de Lope de Vega, Marco Presotto ed.
No full textThe critical edition of Lope de Vega's play "La hermosa alfreda" is included in the volume Marco Presotto ed., "Comedias de Lope de Vega, Parte XI",that collects the Lope's plays published by the author in 1617. This edition forms part of Proyecto Prolope of Universitat Autónoma de Barcelona. Departament de Filologia Espanyola, that is publishing the Lope's whole theatral production, collected in "Partes", from the I to the XXV one
La representación de la experiencia del cautiverio a través de la confrontación / correlación simbólica entre espacio público y privado en Frazadas del Estadio Nacional de Jorge Montealegre
Full text linkMaking memory through writing, that is, recomposing one\u27s own personal experience as a victim of state terrorism in many Latin American countries through its literary representation, entails, among many other consequences, considering places and objects, normally belonging to different semantic spheres, within the optic of violence and disappearance. In 2003, Jorge Montealegre published the novel-testimony Frazadas del Estadio Nacional, in which he reconstructs the months spent in captivity, from the first days of Pinochet\u27s coup, in September 28th, 1973, in the National Stadium in Santiago, together with thousands of prisoners, until November of the same year, when the writer was transferred to another clandestine centre, Chacabuco, and then expelled from the country in July 1974. Right from the title, Montealegre\u27s work attributes a connotative value to a public sporting space – the National Stadium – and to an everyday, familiar object – the blanket – in addition to their ordinary significance, turning them into symbols of the traumatic experience of the condition of detainees in clandestine concentration camps. The process of conversion of these two terms, reiterated within the pages of the novel, into signs of identification of the symbolic space of the testimonial discourse is the subject of my intervention.Hacer memoria a través de la escritura, o sea, recomponer la propia experiencia personal como víctima del terrorismo de Estado en muchos países de América Latina a través de su representación literaria, conlleva, entre otras muchas consecuencias, a considerar lugares y objetos, normalmente pertenecientes a ámbitos semánticos diferentes, dentro de la óptica de la violencia y la desaparición. En 2003, Jorge Montealegre publica la novela-testimonio Frazadas del Estadio Nacional, donde reconstruye los meses vividos en cautiverio, desde los primeros días del golpe de Pinochet, el 28 de septiembre de 1973, en el Estadio Nacional de Santiago, junto a millares de prisoneros, hasta noviembre del mismo año, cuando el escritor fue trasladado a otro centro clandestino, Chacabuco, para luego ser expulsado del país, en julio de 1974. Ya desde el título, la obra de Montealegre atribuye a un espacio público deportivo –el Estadio Nacional- y a un objeto de uso cotidiano y familiar –la frazada- un valor connotativo que se añade a su significación ordinaria, convirtiéndolos en símbolos de la experiencia traumática de la condición de detenidos en los campos de concentración clandestinos. El proceso de conversión de estos dos términos, reiterados dentro de las páginas de la novela, en signos de identificación del espacio simbólico del discurso testimonial, es el tema de mi intervención.Making memory through writing, that is, recomposing one\u27s own personal experience as a victim of state terrorism in many Latin American countries through its literary representation, entails, among many other consequences, considering places and objects, normally belonging to different semantic spheres, within the optic of violence and disappearance. In 2003, Jorge Montealegre published the novel-testimony Frazadas del Estadio Nacional, in which he reconstructs the months spent in captivity, from the first days of Pinochet\u27s coup, in September 28th, 1973, in the National Stadium in Santiago, together with thousands of prisoners, until November of the same year, when the writer was transferred to another clandestine centre, Chacabuco, and then expelled from the country in July 1974. Right from the title, Montealegre\u27s work attributes a connotative value to a public sporting space – the National Stadium – and to an everyday, familiar object – the blanket – in addition to their ordinary significance, turning them into symbols of the traumatic experience of the condition of detainees in clandestine concentration camps. The process of conversion of these two terms, reiterated within the pages of the novel, into signs of identification of the symbolic space of the testimonial discourse is the subject of my intervention
Ricorrenza e funzione dei quattro elementi cosmogonici nel "Primer Romancero Gitano" di Federico García Lorca
No full textIl confronto Corte vs Aldea nella “Comedia” palatina La Hermosa Alfreda di Lope de Vega
Full text linkThis job suggests the analysis about some variations of structural unchangings as the spacial aspect in the "comedia palatina", a typical theatral work produced during XVI-XVII Centuries in Spanish Litterature. In Lope de Vega's "comedia" "La hermosa alfreda", the opposition between "Corte" and "aldea" isn't spacial only, but it interests the simbolic aspect of the story as well. The two different spaces make the characters to reveal negative and positive aspects of their own personality
La memoria, l’identità, la scrittura: l’universo narrativo di fine millennio di Juan José Millás
Full text linkQuesto studio monografico è dedicato all'analisi della opera narrativa dello scrittore spagnolo contemporaneo Juan José Millàs, dagli esordi, nella metà degli anni settanta, fino alla fine del ventesimo secolo. La lettura della sua produzione narrativa, che nell'arco temporale prescelto si snoda lungo la diegesi di undici romanzi, è incentrata sul personaggio millasiano che man mano si definisce nella sua essenziale problematicità, quasi i vari romanzi definissero un percorso di autoconsapevolezza che l'io intraprende per riconoscersi e definirsi in rapporto con l'altro. Dentro questo macro-tema, l'analisi si inoltra alla scoperta di un universo finzionale in cui il personaggio protagonista cerca una sua dimensione vitale, avendo già perso il suo confronto con la realtà fattuale. La scrittura si delinea come unico possibile esercizio che il personaggio ha per esistere, come autore di una realtà 'altra' in cui la sua incerta identità possa formarsi. In questo discorso, rientra la riflessione dell'utilizzazione di differenti generi narrativi, tipica della poetica posmoderna: nella narrativa di Millàs il poliziesco è un genere che ben si presta per risolvere dell'enigma più profondo, quello ontologico dell'io, il dubbio che l'io ha su se stesso e sulla sua decodificazione della realtà
Recensione a: Jaime Gil de Biedma, "Le persone del verbo", traduzione in italiano a cura di Giovanna Calabrò, Napoli, Liguori Ed., 2000, 384 pp
No full textPittura e letteratura: la riflessione estetica in «Un cuerpo, o dos» di Gabriel Ferrater e José María Martín
No full textNota a Giuseppe Grilli, "Literatura caballeresca y re-escrituras cervantinas", Alcalá de Henares, Centro Estudios Cervantinos, 2004, 273 pp
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Recensione a: José Domínguez Caparrós, "Métrica de Cervantes", Alcalá de Henares, Centro de Estudios Cervantinos, 2002, 167 pp.,
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