7,315 research outputs found
Giorgio Murru
No full textVideo interview with Giorgio Murru as part of the Italian Cinema Audiences projec
Giorgio Puddu
No full textVideo interview with Giorgio Puddu as part of the Italian Cinema Audiences projec
Giorgio Grosjean
No full textVideo interview with Giorgio Grosjean as part of the Italian Cinema Audiences projec
Il Nome nel testo
No full textRaccolta di articoli di onomastica letteraria suddivisi in 4 sezioni tematich
FIGURE 6. Chondropsis subtilis n in Sponges associated with octocorals in the Indo-Pacific, with the description of four new species
No full textFIGURE 6. Chondropsis subtilis n. sp. A–B, Living sponge encrusting Carijoa riisei in situ. Note in B the pink massive sponge close to C. riisei might be the holotype of this species; C, Holotype encrusting several branches of C. riisei; D, Sand and spicules creating a fine and regular network on the sponge surface; E, Sponge surface showing a homogeneous layer of sand, foreign spicules and strongyles; F, Choanosomal skeleton of ascending tracts of spongin, embedded with sand grains, strongyles and foreign spicules; G, Straight and very thin strongyle; H, Very thin sigmas.Published as part of Calcinai, Barbara, Bavestrello, Giorgio, Bertolino, Marco, Pica, Daniela, Wagner, Daniel & Cerrano, Carlo, 2013, Sponges associated with octocorals in the Indo-Pacific, with the description of four new species, pp. 1-61 in Zootaxa 3617 (1) on page 13, DOI: 10.11646/zootaxa.3617.1.1, http://zenodo.org/record/24815
OPTICAL PROPERTIES AND RADIATIVE EFFECTS OF TROPOSPHERIC AEROSOLS AND OZONE IN THE CENTRAL MEDITERRANEAN
No full textGiorgio Fiocco, Carlo Ulivieri, Marco Caccian
Gra słów w nazwiskach i konstrukcjach onomaturgicznych w L’enfant léopard (1999) Daniela Picouly’ego
No full textThe aim of the research is to verify in what way the onomastic devices found in the French novel L’enfant leopard [The Leopard Boy] (1999) by Daniel Picouly determine a potentially plural reception of the text referring to one’s historical, fictional, and rhetorical competence. Devoted primarily to the literary onomastics, the analysis focuses on identifying various contexts reused by the author of the novel and from which he draws the names of the characters and places of his fictional universe. Proper names can be understood as historical references which fulfil the function of authenticating the story, serve as referential anchoring of the narrative, and include intertextual references only a reader of deep literary awareness can grasp. And finally, proper names can be understood as imaginary onomaturgic constructions devised by the author, who employs linguistic and rhetorical strategies to achieve the ludic character of the text. The study reveals the story-building process and by following the onomastic traces, it captures the very method of literary creation adopted by the author.The novel by Daniel Picouly involves a considerable number of characters and, therefore, a wide range of anthroponyms, for many of which the author invites the reader to make inferences and to mobilise their encyclopedia of knowledge to identify the explicit or subtle historical reference within those names. Some of these names are immediately identifiable. For others, however, the reader's inference requires a more accurate search, which calls into question elaborate skills more easily found in a cultured reader than in a common reader. Celem badań jest sprawdzenie, w jaki sposób onomastyczne narzędzia wykryte we francuskiej powieści L’enfant leopard [The Leopard Boy](1999) Daniela Picouly’ego determinują potencjalnie pluralistyczny odbiór tekstu odwołującego się do własnej kompetencji historycznej, fikcyjnej i retorycznej. Poświęcona przede wszystkim literackiej onomastyce analiza skupia się na identyfikacji różnych kontekstów ponownie użytych przez autora powieści, z których czerpie nazwiska postaci i miejsca swojego fikcyjnego uniwersum. Nazwy własne można rozumieć jako odniesienia historyczne, które pełnią funkcję uautentyczniającą opowieść – służą jako referencyjne zakotwiczenie narracji – i zawierają odniesienia intertekstualne, które może uchwycić jedynie czytelnik o głębokiej świadomości literackiej. Nazwy własne można także rozumieć jako wyimaginowane konstrukcje onomaturgiczne opracowane przez autora, który wykorzystuje strategie językowe i retoryczne, aby osiągnąć ludyczny charakter tekstu. Studium ujawnia proces budowania opowieści oraz tropiąc ślady onomastyczne, oddaje przyjętą przez autora metodę kreacji literackiej
Emanuele De Giorgio. Itinerario artistico dal 1933 al 1982
No full textCatalogo della mostra dedicata al pittore Emanuele De Giorgio ordinata a Grottaglie in Palazzo De Felice dal 21 dicembre 2008 al 15 marzo 2009)
La variabilità della frequenza cardiaca e il biofeedback del tono vagale.
No full textIn recent years there has been a substantial increase in research on heart rate variability (HRV), as an index of autonomic nervous system regulation. HRV-Biofeedback has been applied in a number of medical, psychiatric or health related conditions characterised by reduced HRV. This review provides a general overview of HRV psychophysiology, methods of measurement and the principal applications of HRV-Biofeedback. Data support the clinical efficacy of the treatment in several clinical conditions; however issues for mechanisms of effect should be seriously considered in order to advance our understanding of mechanisms underlying HRV-Biofeedback. Further research should be supported and encouraged in order to strengthen the evidence for the efficacy of such a promising psychophysiological treatment. [ABSTRACT FROM AUTHOR
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
