1,720,959 research outputs found

    Cost-benefit analysis of alternative retrofit strategies for RC frame buildings

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    Monetary losses induced by earthquakes in Reinforced Concrete (RC) buildings are mainly due to damage to non-structural elements (infills, partitions, finishes, etc.). In this study, alternative retrofit strategies for reducing monetary losses in RC frame buildings are examined. They include local strengthening of infills (and partitions) and seismic isolation. The Expected Annual Loss (EAL) of a number of RC frame buildings, pre- and post- rehabilitation, is evaluated, following the time-based assessment approach proposed in the FEMA P-58 guidelines. The break-even time of each retrofit intervention is then computed, considering the initial cost of the intervention and the expected benefit in terms of EAL reduction

    Restoring capability of friction pendulum seismic isolation systems

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    The restoring (or re-centring) capability is an important feature of any isolation system and a fundamental requirement of current standards and guideline specifications for the design of seismically isolated structures. In this paper, the restoring capability of spherical sliding isolation systems, often referred to as friction pendulum systems (FPSs), is investigated through an extensive parametric study involving thousands of non-linear response history analyses of SDOF systems. The dynamic behavior of the isolation system is described with the visco-plastic model of Constantinou et al. (J Struct Eng 116(2):455–474, 1990), considering the variability of the friction coefficient with sliding velocity and contact pressure. Numerical analyses have been carried out using a set of approximately three hundred natural seismic ground motions recorded during different earthquakes and differing in seismic intensity, frequency content characteristics, magnitude, epicentral distance and soil characteristics. Regression analysis has been performed to derive the dependency of the residual displacement from the parameters governing the dynamic response of FPS. The influence of near-fault earthquakes and the accumulation of residual displacements due to real sequences of seismic ground motions have been also investigated. Finally, the restoring compliance criteria proposed in this study are compared to the lateral restoring force requirements of current seismic codes. Based on the results of this study, useful recommendations for a (more) rational design of FPSs are outlined

    Simplified estimation of the expected annual loss of reinforced concrete buildings

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    Performance-based earthquake engineering procedures have now developed to the point that it is possible to evaluate a range of possible decision variables, including the expected annual monetary loss (EAL). Quantification of the EAL is considered to be particularly useful because it could assist with the identification of effective design and retrofit measures that consider seismic performance over a range of intensity levels. Recognizing, however, that existing procedures for the evaluation of EAL tends to be quite time consuming, this paper builds on a recent proposal to use simplified limit state loss versus intensity relationships to compute EAL via a closed-form equation, without the need to compile an inventory of damageable components and with freedom in the choice of structural analysis method. Various developments to the simplified approach are made in this paper to allow consideration of loss thresholds, non-uniform damage distributions and the impact of differences in seismic performance in orthogonal directions. In addition, means of accounting for uncertainties in the simplified EAL assessment are described. The work has focused on the assessment of EAL for reinforced concrete frame buildings with details representative of construction practice adopted in Italy in the 1950s through to the early 1970s. By comparing loss assessment results obtained using a refined methodology with those obtained using the new guidelines developed here for two case study buildings, it is concluded that the simplified approach works well. Future research should therefore aim to further validate the approach and extend it to other building typologies and construction eras

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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