1,720,956 research outputs found
Etnografia missionaria. Una «esposizione universale» nella Torino del 1858.
Nel 1858 il Direttore dell’Opera per la Propagazione della Fede di Torino, il canonico Giuseppe Ortalda, organizzò nella capitale del Regno una Lotteria benefica a sostegno dell’attività missionaria cattolica; per l’occasione giunsero a Torino migliaia di oggetti esotici dalle missioni.
L’articolo indaga le cause che hanno contribuito al verificarsi dell’episodio, le modalità del suo svolgimento e gli esiti. L’evento inaugurò una lunga serie di esposizioni, mostre e musei etnografici missionari che nel tempo misero assieme collezioni sempre più sistematiche e ragionate. E’ dunque un momento fondativo di un fenomeno di più lungo periodo: quello della raccolta e dell’esposizione di collezioni etnografiche missionarie, che si sviluppa in Italia e in Europa nei decenni a cavallo tra XIX e XX secolo nel quadro di un più ampio fenomeno di esposizione e identificazione dell’alterità esotica
Costruire l'alterità. Le collezioni etnografiche dei missionari cattolici italiani (1850 - 1925): genealogie ed allestimenti museali
This thesis retraces the missionary ethno-exhibitionary phenomenon in Italy between 1850 and 1925. The missionary practice is a particular aspect of the largest phenomenon of spectacularization of otherness which took place in Europe since the early decades of the nineteenth century. My investigation starts from the so-called «Lotteria a favore dei missionari cattolici figli del Regno di Sardegna», which occurred in Turin in 1858, and ends with the examination of the «Esposizione Missionaria Vaticana», organized by the Holy See for the Jubilee Year 1925. The Lottery in Turin, which had been organized by Giuseppe Ortalda (the diocesan director of the Opera of Propagation of the Faith) is probably the first missionary experience of ethno-exhibition in Italy.
Between the two significant experiences there are many expositive episodes, which, despite their different set-ups, generally contributed to the progressive definition of a genre. The «Esposizione d'Arte Sacra e delle Missioni Cattoliche», which took place in Turin in 1898, is particularly significant: the second chapter deals generously with it.
The analysis of the phenomenon highlighted its identity potential. Religious exhibitions were mostly self-representative and had missionary-animation purposes, which have been pursued staging - and building - the otherness which must be evangelized. The thesis, then, highlights significant affinities, in Italy, between catholic and secular ethno-exhibtions. Forging exotic imaginations, they both contributed to the definition of a synthetic national-colonial culture.
Missionary museums, which are a particular category of ecclesiastical museums, are the permanent outcome of this phenomenon. An anthropological analysis thus completes my PhD thesis: with reference to some specific case studies (among which stands out, in this essay, the «Museo etnografico e di Scienze Naturali dei Missionari della Consolata di Torino»), I pointed out the problems related to the collections preserved by contemporary set-ups.
The thesis finally reflects on the possible post-ethnographic use of the pieces
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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