1,721,120 research outputs found
Casa elettrica; Villa-studio per un artista; Casa dell’aviatore; Casa del sabato per gli sposi; Casa di campagna per un uomo di studio; Casa coloniale; Casa per le vacanze di un artista sul lago; Casa “tutto acciaio”; Gruppo di elementi di case popolari; Casa a struttura d’acciaio; Abitazione tipica a struttura d’acciaio
No full textLa casa per tutti. La Triennale e la citta'
No full textIl testo si propone di ricostruire le fasi salienti del contributo della Triennale al dibattito e all’approfondimento del tema della casa in Italia: ripercorre le tappe dell’avvicinamento della nuova istituzione alle problematiche dell’architettura, mettendo in rilievo il progressivo slittamento dei suoi interessi dall’ambito delle arti decorative e industriali a quello dell’architettura e dell’urbanistica. Sono prese in esame le edizioni del 1927 e 1930 a Monza, quelle del 1933, 1936 e 1947 a Milano, ricostruendo di volta in volta i punti salienti di un accento che dalla generica proposta della casa come luogo di plaisir si sposta sempre più drammaticamente su quella della casa come valore sociale. In questo senso sono messi in stretta relazione i progetti e le proposte elaborate per le Triennali e la realizzazione in quegli stessi anni a Milano dei primi quartieri razionalisti.
Il testo – e la mostra ad esso collegato – si avvale di documenti originali d’archivio (disegni, plastici, fotografie d’epoca, cataloghi, ecc..), alcuni dei quali provenienti da archivi pubblici e privati e altri ancora ritrovati in occasione di questa ricerca nei depositi della Triennale e finalmente ritornati al Palazzo dell’Arte nella stabile sede della nuova Biblioteca.
The text aims to reconstruct the main phases in Treinnale’s contribution during debate around housing in Italy: it retraces stages in the new institution’s approach to architectural questions, highlighting the gradual shift of its initial interest in decorative and industrial arts towards architecture and urbanism. The volume also analyzes Triennale’s expositions of 1927 and 1930 in Monza and those held on in 1933, 1936 and 1947 in Milan, reconstructing step by step the shifting process, increasingly dramatic, from a generic proposal for the house as plaisir place towards dwelling as a social value. In this way projects and plans drawn up for Treinnale are closely compared with earliest rationalist districts, built on in Milan during the same years. The book – and its related exposition – avails of original archive’s documents (drawings, models, historical photos, catalogues, etc.), some of whom coming from public or private archives and others discovered again, by this research occasion, in Triennale’s depots and finally returned to Palazzo dell’Arte, in the fixed establishment of the new Library
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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