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Ouverture de l'Opéra Guillaume Tell de G. Rossini transcrite pour le Piano
Full text linkOUVERTURE DE L'OPÉRA GUILLAUME TELL DE G. ROSSINI TRANSCRITE POUR LE PIANO
Ouverture de l'Opéra Guillaume Tell de G. Rossini transcrite pour le Piano ( - )
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G. Rossini, Petite Messe solennelle, Philips, NUM 412124
No full textWeber Edith. G. Rossini, Petite Messe solennelle, Philips, NUM 412124. In: Cahiers de sociologie économique et culturelle, n°4, 1985. pp. 182-183
Aria "Cujus animam" Aus Stabat Mater von G. Rossini Für Posaune Und Orgel
No full textARIA "CUJUS ANIMAM" AUS STABAT MATER VON G. ROSSINI FÜR POSAUNE UND ORGEL
Aria "Cujus animam" Aus Stabat Mater von G. Rossini Für Posaune Und Orgel (1)
Titelseite mit Stempel: Liszt-Museum Weimar: L 13 (1)
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Ouverture zur Oper Der Barbier von Sevilla / G. Rossini. Durchgesehen u. rev. von Hugo Hartmann
No full textOUVERTURE ZUR OPER DER BARBIER VON SEVILLA / G. ROSSINI. DURCHGESEHEN U. REV. VON HUGO HARTMANN
Ouverture zur Oper Der Barbier von Sevilla / G. Rossini. Durchgesehen u. rev. von Hugo Hartmann (1)
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Ouverture zur Oper Der Barbier von Sevilla (2
Overtura nell'Opera: La Gazza Ladra composta e ridotta per il Piano-Forte / del Sigr. Maestro G: Rossini
No full textOVERTURA NELL'OPERA: LA GAZZA LADRA COMPOSTA E RIDOTTA PER IL PIANO-FORTE / DEL SIGR. MAESTRO G: ROSSINI
Overtura nell'Opera: La Gazza Ladra composta e ridotta per il Piano-Forte / del Sigr. Maestro G: Rossini (1)
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Fantaisie pour le Piano sur des thèmes de l'Opéra: Moïse de G. Rossini : Oeuvre 33 / composée par S. Thalberg
No full textFANTAISIE POUR LE PIANO SUR DES THÈMES DE L'OPÉRA: MOÏSE DE G. ROSSINI : OEUVRE 33 / COMPOSÉE PAR S. THALBERG
Fantaisie pour le Piano sur des thèmes de l'Opéra: Moïse de G. Rossini : Oeuvre 33 / composée par S. Thalberg (1)
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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